Memoirs of an American Prima DonnaKellogg, Clara Louise
General
Memoirs of an American Prima Donna
Kellogg, Clara Louise
Kellogg, Clara Louise, 1842-1916; Singers -- United States -- Biography
That episode was served up to me for eight years. I never went to
Chicago without reading some reference to it in the newspapers, and my
friends have told me that years later it was still discussed with
bitterness. It was stated that I was "ungracious," "rude," and that I
had "insulted the guests by my plain street attire" (shade of the great
Worth!); that I only sang once and then with no attempt to do my best;
that I did not eat the elaborate refreshments; did not rise from my
chair when people were presented to me; and left the house inside an
hour, although the reception was given for me. The bitterest attack was
an article printed in one of the morning papers, an article written by a
woman who had been among the guests. I never answered that or any other
of the attacks because the host and hostess were old friends and felt
very badly about the affair; but I have a memory of Chicago that will go
with me to the grave. It was very different with the New York hostesses
of whom Mrs. Barlow, Mrs. Ronalds, and Mrs. Gilder were the
representatives. By them a singer was treated as a little more, not
less, than an ordinary human being!
O you unfortunate people of a newer day who have not the memory of that
enchanting meeting-ground in East Fifteenth Street:--the delightful
Gilder studio, the rebuilding of which from a carriage house into a
studio-home was about the first piece of architectural work done by
Stanford White. There was one big, beautiful room, drawing-room and
sitting-room combined, with a fine fireplace in it. Many a time have I
done some scene from an opera there, in the firelight, to a sympathetic
few. Everybody went to the Richard Watson Gilders'--at least, everybody
who was worth while. They were in New York already the power that they
remained for so many years. Some pedantic enthusiast once said of them
that, "The Gilders were empowered by divine right to put the _cachet_ of
recognition upon distinction."
Miss Jeannette Gilder came into my life as long ago as 1869. I was
singing in a concert in Newark and she was in the wings, listening to my
first song. My mother and my maid were near her and, when I came off the
stage, as we were trying to find a certain song for an _encore_, the
pile of music fell at her feet. Promptly the tall young stranger said:
"Please let me hold them for you."
Her whole personality expressed a species of beaming admiration. I
looked at her critically; and from this small service began our
friendship.
The Gilders were then living in Newark. The father, who was a Chaplain
in the 40th New York Volunteers, died during the Civil War. His sons,
Richard Watson Gilder and William H. Gilder, were also soldiers in the
Civil War. The Richard Watson Gilders were married in 1874. Mrs. Gilder
was Miss Helena de Kay, granddaughter of Joseph Rodman Drake, who was
the author of _The Culprit Fay_.
Public-domain text, read in full here on John Shaqi.
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