Memoirs of an American Prima DonnaKellogg, Clara Louise
General
Memoirs of an American Prima Donna
Kellogg, Clara Louise
Kellogg, Clara Louise, 1842-1916; Singers -- United States -- Biography
It was like old times to be in England once more. Yet I found many
changes. One of them was in the state of my old friend James McKenzie
who had been in the East Indian trade and had a delightful place in
Scotland adjoining that of the Queen, through which she used to drive
with the incomparable John Brown. I had been invited up there on my
first visit to England, but was not able to accept. When I asked for him
this time I learned that he had been knighted for loaning money to the
Prince of Wales. A girl I knew quite well told me, this year, a touching
little story of a half-fledged romance which had taken place at Sir
James's place in Scotland. The Prince who was known in England as
"Collars and Cuffs" and who died young, was with the McKenzies for the
hunting season and there met my friend,--such a pretty American girl she
was! They fell in love with each other and, though of course nothing
could come of it, they played out their pathetic little drama like any
ordinary young lovers.
"Come down early to dinner," the Prince would whisper. "I'll have a bit
of heather for you!"
And when they met in London, later, he took her to Marlborough House and
showed her the royal nurseries and the shelves where his toys were still
kept. The girl nearly broke down when she told me about it. I have
thought of the little story more than once since.
"He hated to have me courtesy to him," she said. "He used to whisper
quite fiercely: 'don't you courtesy to me when you can avoid it--I can't
bear to have you do it!'"
My new _rôle_ in London that season was Aïda. For, of course, I was
singing! It went so well that Mapleson (père) wanted to extend my
engagement. But I was very, very tired and, for some reason--this,
probably,--not in my usual "form," to borrow an Anglicism, so I decided
to go to Paris and rest, meanwhile waiting for something to develop that
I liked well enough to accept. Maurice Strakosch had been my agent in
England, but it seemed to me that his methods were becoming somewhat
antiquated. So I gave him up and decided that I would get along without
any agent at all. I also gave up Colonel Mapleson. Mapleson owed me
money--although, for that matter, he owed everybody. Poor Titjiens sang
for years for nothing. So, when, as soon as I was fairly settled in
Paris, the Colonel sent me earnest and prayerful summons to come back to
London and go on singing _Aïda_, I turned a deaf ear and sent back word
that I was too tired.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account