Memoirs of an American Prima DonnaKellogg, Clara Louise
General
Memoirs of an American Prima Donna
Kellogg, Clara Louise
Kellogg, Clara Louise, 1842-1916; Singers -- United States -- Biography
and it must have been a relief, for times were hard, owing to the recent
Nihilistic panic, and Russians do not know how to entertain unless they
can do it magnificently. As a result of the dull social season, I did
not go out much in society. But I was much interested in such glimpses
as I had of it, for "smart" Russia is most gorgeously picturesque. Many
Americans visit Petersburg in summer when everyone is away and so never
see the true Russian life. Indeed, it is a very stunning spectacle. The
sleighs, the splendid liveries, the beautiful horses, the harnesses, the
superb furs--it is all like a pageant. I loved to see the _troikas_
drawn by three horses, with great gold ornaments on the harnesses; and
the _drozhkis_ in which the _isvoshiks_ drive standing up. The third
horse of the _troika_ is one of the typically Russian features. He is
attached to the pair that does the work, and his part is to play the
fool.
I remember a famous sleigh ride I had in a very smart _drozhki_, behind
a horse belonging to one of the English Embassy secretaries. The horse
was an extraordinarily fast one and the _drozhki_ was exceptionally
light and small. The seat was so narrow that the secretary and I had to
be literally buttoned into it to keep us from falling out. The
_isvoshik's_ seat was so high that he was practically standing erect and
nearly leaning back against it. Evidently the man's directions were to
show off the horse's gait to the best advantage; and I know that the
speed of that frail sleigh upon the icy snow crust became so terrific
that I had to grip the sash of the _isvoshik_ in front of me to stay in
the sleigh at all.
And, oh, the flatness and mournfulness of those chill wastes of snow
outside the city! It was of course bitterly cold, but one did not feel
that so much on account of the fine dryness of the air. For me the
light--or, rather, the lack of it,--was the most difficult thing to
become accustomed to. But if I did not altogether realise the cold for
myself, I certainly realised it for my poor horses. I had a splendid
pair of blacks that winter and, when I was driven down to the theatre,
they would be lathered with sweat. When I came out they would be covered
with ice and as white as snow. There would be ice on the harness too,
and the other horses we passed were in the same condition. I was much
distressed at first, but it appeared that Russian horses were quite used
to it and, so I was told, actually throve on it.
Petersburg is full of little squares and in every square were heaps of
logs, laid one across another like a funeral pyre, which were frequently
lighted as a place for the _isvoshiks_ to warm themselves. The leaping
flames and the men crowded about, in such contrast to the white snow,
seemed so startling and theatrical in the heart of the city that nothing
could have more sharply reminded us that we were in a strange and
unknown land.
Public-domain text, read in full here on John Shaqi.
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