Memoirs of an American Prima DonnaKellogg, Clara Louise
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Memoirs of an American Prima Donna
Kellogg, Clara Louise
Kellogg, Clara Louise, 1842-1916; Singers -- United States -- Biography
I returned to America without an engagement; but on October 5th the
Kellogg Concert Company, under the management of Messrs. Pond and
Bachert, gave the first concert of a series in Music Hall, Boston. I was
supported by Brignoli, the "silver-voiced tenor," Signer Tagliapietra,
and Miss Alta Pease, contralto. With us, also, were Timothie Adamowski,
the Polish violinist; Liebling, the pianist, and the Weber Quartette. My
reception in America, after nearly two years' absence abroad, was,
really, almost an ovation. But I want to say that Boston has always been
particularly gracious and cordial to me. By way of showing how
appreciative was my reception, I cannot resist giving an extract from
the _Boston Transcript_ of the following morning:
Her singing of her opening number, Filina's _Polonaise_ in
_Mignon_, showed at once that she had brought back to us unimpaired
both her voice and her exquisite art; that she is now, as formerly,
the wonderfully finished singer with the absolutely beautiful and
true soprano voice. Her stage experience during the past few years,
singing taxing grand soprano parts, so different and more trying to
the vocal physique than the light florid parts, the Aminas,
Zerlinas, and Elviras, she began by singing, seems to have had no
injurious effect upon the quality and trueness of her voice, which
has ever been fine and delicate; just the sort of beautiful voice
which one would fear to expose to much intense dramatic wear and
tear. Its present perfect purity only proves how much may be dared
by a singer who can trust to a thoroughly good method.
In the following May I sang with Max Strakosch's opera company in
Providence to an exceptionally large audience. One of the daily
newspapers of the city said, in reference to this occasion:
Miss Kellogg must take it as a compliment to herself personally,
for the other artists were unknown here, and therefore it must have
been her name that attracted so many. She has always been popular
here, and has made many personal as well as professional friends.
She must have added many more of the latter last night, for she
never appeared to better advantage. She was well supported by
Signor Giannini as Faust [we gave _Faust_ and I was Marguerite] and
Signor Mancini as Mephistopheles.
Public-domain text, read in full here on John Shaqi.
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