Memoirs of an American Prima DonnaKellogg, Clara Louise
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Memoirs of an American Prima Donna
Kellogg, Clara Louise
Kellogg, Clara Louise, 1842-1916; Singers -- United States -- Biography
In our big, young country of America there are the possibilities of many
another singer greater than I have been. I shall be proud and grateful
if the story of my high ambitions, hard work, and kindly treatment
should chance to encourage one of these. For, while it is true that
there is nothing that should be chosen less lightly than an artistic
career, it is also true that, having chosen it, there is nothing too
great to be given up for it. I have no other message to give; no further
lesson to teach. I have lived and sung, and, in these memories, have
tried to tell something of the living and the singing: but when I seek
for a salient and moving word as a last one, I find that I am dumb. Yet
I feel as I used to feel when I sang before a large audience. Somewhere
out in the audience of the world there must be those who are in
instinctive sympathy with me. My thoughts go wandering toward them as,
long ago, my thoughts would wander toward the unknown friends sitting
before me in the theatre and listening. So poignant is this sense within
me that, halting as my message may have been, I feel quite sure that
somehow, here and there, some one will hear it, responsive in the
heart.
INDEX
Abbott, Emma, in _Camille_, 70;
meeting with, 272-275; 320
Academy of Music, the, _début_ of Kellogg at, 33;
stage conditions at, 37;
director of, 40;
winter season at, 91;
benefit at, 92;
return to, 201; 258, 259, 263
Adam, Mme., 304
Adamowski, Timothie, 358
Adams, Charles, 298
Adams, Maud, in _Joan of Arc_, 66
Aïda, 292, 301, 302, 307
Albani, Mme., 235
Albertini, 294
Albites, suggestion of, 102
Alboni, Mme., Rovere and, 94;
anecdote of, 175
Aldrich, Thomas Bailey, 47, 48
Alexander, John, 281
Amina, the _rôle_ of, 64;
the opera of, 65;
Murska as, 296
Amodio, 13;
personal appearance of, 14;
in _Don Giovanni_, 74
Amonasro, 307
Andrede, Joseph, 300
Annetta, 91;
contrast between Marguerite and, 93;
Malibran as, 94;
Grisi as, 94;
Kellogg as, 93, 94, 96
Anschutz, _Faust_ and, 78
Appleton, Tom, 46, 47
Arditi, 135, 138, 162-164, 168, 171, 173
Armitage, Sir George, 195-198
Association, Peace Jubilee, 235
Azucena, 249
Babcock, William, 7
Bachert, Pond and, 358
Balfe, 261, 262
_Ballo in Maschera_, 55, 62, 329, 338
Banjo, first mention of, 8;
music of, 9;
old man and the, 217, 218;
accompaniment of, 358
_Barbiere, Il_, realistic performance of, 38; 56, 91, 97, 167, 277
Barbizon School, 306
Barlow, Judge Peter, 102
Barlow, Mrs. Samuel, 276-279
Bateman concerts, 101
Beecher, Henry Ward, 214
Beethoven, 78;
Jubilee, 209;
Okakura and music of, 219;
reference to, 366
Behrens, Siegfried, 263, 264, 267
Bellini, 54;
traditions of, 67;
music of, 80
Benedict, Sir Jules, 6, 197, 261, 262
Bennett, James Gordon, 251, 303
Bennett, Mr., 164, 174, 238
Bentinck, Mrs. Cavendish, 190
Bernhardt, 208
_Beware_, Longfellow and, 46;
singing of, 175, 178, 197
Bey, Khalil, 156, 157
Public-domain text, read in full here on John Shaqi.
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