But that did not prevent him taking the manifold precautions demanded
by Josephine. They only left the barge in the dress of barge-folk. In a
neighboring street, the old barouche with a single horse harnessed to
it was waiting for them. In it they changed their clothes. Josephine
always hid her face under a beautiful, flowered lace veil.
All these facts and a great many others fully informed Ralph about the
real life of his mistress. He had no doubt whatever that she was at
the head of a well organized band of confederates, with whom she held
communication by means of Leonard. But also he had no doubt that she
was prosecuting her search for the Candlestick with Seven Branches and
keeping a close watch on the actions of Beaumagnan and his friends.
A double life, which often awoke in Ralph a dull irritation against
Josephine, as she herself had foreseen. Forgetting his own actions,
he was angry with her for acting in a manner which was not in accord
with the ideas which in spite of everything, he retained about that
matter of honesty. A mistress who was a thief and leader of a band of
thieves shocked him. Now and again there was a collision between them
with regard to quite insignificant matters. Their two personalities, so
definite and so powerful, came into conflict.
So, when some trifle brought them into conflict, for all that they were
confronting common enemies, they learned how much a love like theirs
can, at certain moments, contain of rancor, pride, and hostility.
The incident which brought to an end what Ralph called the delights of
Capua was an unexpected meeting one evening with Beaumagnan, the Baron
d’Etigues, and Oscar de Bennetot. They saw the three friends go into
the Theater of Varieties.
“Let’s follow them,” said Ralph.
The Countess hesitated. He insisted.
“What?” he cried. “When such an opportunity presents itself, aren’t we
going to profit by it?”
“What’s the use?” she asked.
“What’s the use?” he answered quickly. “But what a funny question! Are
you afraid of my finding myself face to face with Beaumagnan?”
“No: but----”
“Look here, Josine: you do as you like. But I’m going after them.”
Both of them went into the theater and established themselves at the
back of a box. As they did so, in another box, quite close to the
stage, they just had time to perceive before the attendant drew down
the screen, the figures of Beaumagnan and his two acolytes.
Public-domain text, read in full here on John Shaqi.
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