Clowns -- Great Britain -- Biography; Grimaldi, Joseph, 1779-1837
He had his bills printed and well circulated, but did no more business
until the Saturday morning, which made him uneasy; though the fact
simply was, that the people were waiting to see how the weather would
turn out; very well knowing that if it were a wet night, the theatre
would be the very worst place in which to encounter the rain. Fortune,
however, was propitious; the day was cloudless, fair, and beautiful;
and the result was, that after having at nine o'clock in the morning
no one place taken except the two boxes bespoken by Captain Trench, at
one o'clock in the afternoon not a single place remained unlet. At one
time, when there was no doubt of the weather remaining dry, there were
no fewer than sixteen carriages standing before his door, the owners
of which were all anxious to obtain places, and all of whom he was
reluctantly compelled to disappoint.
The receipts of the house amounted to one hundred and ninety-seven
pounds nineteen shillings, not to mention a variety of presents,
including a magnificent gold snuff-box, from Captain Trench, which was
worth, in weight alone, more than thirty pounds sterling.
This purchase of Dibdin's half of the benefit for twenty pounds was
not only a very fortunate thing for Grimaldi, but was, on the other
hand, in some degree serviceable to Dibdin also, inasmuch as it enabled
Grimaldi to oblige him with a loan of one hundred pounds, of which at
that moment, in consequence of his undeserved misfortunes, he stood
much in need. This advance, together with salary due and other matters,
left Mr. Dibdin indebted to Grimaldi in the sum of one hundred and
ninety-six pounds, the whole of which was honourably repaid a few
months afterwards.
This benefit closed the season of the "wet" Theatre in Peter Street;
and on the following Monday, Grimaldi, and the greater part of the
London company, appeared at the Crow Street Theatre, where they acted
until the 29th of March. One circumstance is sufficient to show that
the performances were unusually successful, which is, that the two
pieces in which he came out,--namely, "Harlequin Æsop," and "Coa and
Zoa, or the Rival Indians,"--were found quite attractive enough for the
whole period. He did not appear in any other part, even for a single
night, during the whole of his engagement.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account