Clowns -- Great Britain -- Biography; Grimaldi, Joseph, 1779-1837
At Drury Lane, the Management, well knowing that great preparations
were making at Covent Garden for the production of a new harlequinade
on the 26th of December, and dreading the advantage they had gained in
securing Grimaldi, hurried on the preparations for their own pantomime,
and engaging Montgomery, who had acquired some celebrity at the Circus,
at a high salary, to play Clown, produced their pantomime on the 23rd,
thus gaining an advantage of three days over the other house. The
piece, however, partook infinitely more of the character of a spectacle
than a pantomime: the scenery and tricks were good, but the "business,"
as it is technically termed, was so wretched, that the audience began
to hiss before it was half over, and eventually grew so clamorous, that
it was deemed prudent to drop the curtain, long before the intended
conclusion of the piece. Grimaldi and his friend Bologna were present,
and were very far from regretting this failure. Up to that time Drury
Lane had always been more successful in pantomime than the other house;
and there is little doubt, that the production of this unsuccessful but
very splendid piece, three days before the usual time, was intended
not merely to crush the pantomime in preparation at Covent Garden, but
Grimaldi too, if possible.
They had a night rehearsal of "Mother Goose" on the ensuing evening,
and the performers were in a state of great anxiety and uncertainty as
to its fate. It had always been the custom to render a pantomime the
vehicle for the display of gorgeous scenery and splendid dresses; on
the last scene especially, the energies of every person in the theatre
connected with the decoration of the stage were profusely lavished,
the great question with the majority of the town being which pantomime
had the finest conclusion. Mother Goose had none of these accessories;
it had neither gorgeous processions, nor gaudy banners, nor splendid
scenery, nor showy dresses. There was not even a spangle used in the
piece, with the exception of those which decked the Harlequin's jacket,
and even they would have been dispensed with but for Grimaldi's advice.
The last scene too was as plain as possible, and the apprehensions of
the performers were proportionately rueful.
Public-domain text, read in full here on John Shaqi.
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