Clowns -- Great Britain -- Biography; Grimaldi, Joseph, 1779-1837
Upon the way, Grimaldi sounded Mackintosh relative to the professions,
connexions, and prospects of his friends; but he evaded making any
reply, further than by observing, with an air of great respect, that
they were very wealthy people. He dined in Throgmorton-street a few
days afterwards, and again tried to penetrate the mystery, as did his
wife, who accompanied him. Mr. Mackintosh threw no light upon it, but
it was destined to be shortly revealed, as the next chapter will show.
FOOTNOTES:
[38] Covent Garden Theatre commenced the season of 1806-7, on September
15, with Colman's comedy of "John Bull," and the farce of the "Miser."
Mrs. Grimaldi was, on September 22, one of the singing-women in the
Anthem, sang in Shakspeare's play of "King Henry the Eighth:" Cardinal
Wolsey, Mr. Kemble; Queen Katharine, Mrs. Siddons. She was also on
October 6, one of the choral-witches in Macbeth; and on the 8th enacted
Dolly Trull in the Beggar's Opera: a part in which she appears to have
been cast on all future representations. On October 9, not the 10th,
Joe made his _début_ on the boards of old Covent Garden, as Orson, on
the revival of Tom Dibdin's "Valentine and Orson." Dubois had, on its
previous representation at that theatre, obtained unequivocal applause
from the art he displayed in his performance of Orson. Bologna, jun.
also made his first appearance, after an absence of two years, as the
"Sorcerer Agramant; or, The Green Knight." The part of the second
page in this piece, introduced to the stage a boy named Smalley, with
a surprising excellence of voice, who, by some kind soul was rescued
from wretchedness and obscurity, and will long be remembered by those
in whose recollection the performance of "Mother Goose" remains. "The
Cabin Boy," as sung by him, was long highly popular; every younker, who
fancied he had a voice, made that ballad the object of his execution.
It was warbled by men, women, and children; and Grimaldi obtained great
applause for his performance of Orson.
[39] On the night of the joint benefit of Grimaldi and Bologna, June
9, 1807, Macklin's "Man of the World," was performed; Sir Pertinax, by
Mr. Cooke; a new comic ballet, entitled "Poor Jack," Poor Jack, by Mr.
Bologna, jun. Joe also sang Dibdin's song of "The Country Club," often
previously sung by him at Sadler's Wells, with reiterated plaudits.
The evening's entertainments concluded with "Mother Goose," for the
eighty-eighth time, not the eighty-second.
In the preceding April, on the 16th, was produced at Covent Garden,
for the first time, a grand ballet of action, entitled "The Ogre and
Little Thumb; or, the Seven League Boots;" Anthropophagos, the Ogre,
Mr. Farley: Count Manfredi, Mr. Bologna, jun.; Scamperini, the Count's
Servant, Mr. Grimaldi; Little Thumb, Miss M. Bristow, her first
appearance.
CHAPTER XIII.
1807
Public-domain text, read in full here on John Shaqi.
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