The next point to be considered was, how Bradbury could accept the money without compounding a felony, and increasing the obloquy already cast upon the thief. He hit upon and carried into execution a most singular plan:--he caused the report to be circulated that he had suddenly become insane--committed many extravagant acts--and in a short time was, apparently against his own will, but in reality by his own contrivance, deprived of his liberty, and conveyed to the asylum where Grimaldi visited him. The consequence of this step was, that when the stealer of the snuff-box was placed upon his trial, no prosecutor appearing, he was adjudged not guilty, and liberated accordingly. Intelligence of this was directly sent to Bradbury, who proceeded to make arrangements for his own release: this was soon effected, and it was on the eve of the day of his departure that Grimaldi saw him in the madhouse. His only object in writing, or rather, in causing the letter to be written, for he could not write a line himself, nor read either, was, to ask him to play for his ensuing benefit at the Surrey Theatre, which he readily consented to do; then wishing him a speedy deliverance from his disagreeable abode, he took his departure. The next day Bradbury came out of the asylum, telling everybody that he was perfectly recovered, having got well in as sudden a manner as he fell ill, and in the following week his benefit took place. Grimaldi played and sang for him, and took money at the gallery door, to boot. The house was quite full, and everything went on well until Bradbury made his appearance, when, impelled by some strange and sudden whim, he was guilty of a disgusting piece of irreverence and impertinence. The consequence of this was, that the audience very naturally and properly took great offence, and upon a repetition of the conduct, literally hooted him from the stage. This was the ruin of Bradbury as a pantomimist. He did not appear again in London for many years, and, although he played occasionally in the country theatres, never afterwards regained his former rank and celebrity in the profession. As far as pecuniary matters were concerned, it did not matter much to him, the annuity affording him a handsome independence; but whether he afterwards sold it and dissipated the money, or whether the annuity itself was discontinued in the course of years, this at least is certain, that when he died, which he did in London, in 1828, he was in very indifferent circumstances, if not in actual want. In October, Covent Garden commenced the new campaign, and brought forward "Mother Goose," which ran, with the same degree of success as before, until nearly Christmas, and was played altogether twenty-nine times.