Clowns -- Great Britain -- Biography; Grimaldi, Joseph, 1779-1837
It was at this period that the great O. P. Row began, of which so
much has been said, and sung, and written, that little of novelty
or interest could accompany the description of it here. Everybody
knows that the O. P. Row originated in the indignation with which the
play-going public regarded an increase in the prices of admission of
one shilling each person to the boxes, and sixpence to the pit, with
which was coupled a considerable increase in the number of private
boxes; and everybody knows, moreover, that the before-mentioned
play-going public expressed their dissatisfaction night after night
in scenes of the most extraordinary and unparalelled nature. The
noises made by the audience utterly overwhelmed every attempt that the
actors could make to render themselves audible. Not a word that was
said on the stage could be distinguished even in the front row of
the pit, and the O. P. (Old Price) rioters, fearful that the exercise
of their voices would not create sufficient uproar, were in the habit
of bringing the most extraordinary variety of curious and ill-toned
instruments with them, to add to the noise and discordance of the
scene. One gentleman, who constantly seated himself in the boxes,
regaled himself and the company with a watchman's rattle, which he
sprang vigorously at short intervals throughout the performances;
another took his seat regularly every night in the centre of the pit,
armed with a large dustman's bell, which he rang with a perseverance
and strength of arm quite astounding to all beholders;[52] and a party
of three or four pleasant fellows brought live pigs, which were pinched
at the proper times, and added considerably to the effect of the
performances.
But rattles, bells, pigs, trumpets, French horns, sticks, umbrellas,
catcalls, and bugles, were not the only vocal weapons used upon these
occasions: Kemble was constantly called for, constantly came on, and
constantly went off again without being able to obtain a hearing.
Numbers of Bow-street officers were in regular attendance: whenever
they endeavoured to seize the ringleaders, the ringleaders were
defended by their partisans, and numerous fights (in one of which a
man was nearly killed) resulted. Scarce an evening passed without
flaming speeches being made from pit, boxes, and gallery; and sometimes
half-a-dozen speeches would be in course of delivery at the same time.
The greater portion of the time of the magistrates was occupied in
investigations connected with the disturbances, and this state of
things continued for nearly seventy nights. Placards were exhibited in
every part of the house, principally from the pit; of the quality of
which effusions the following may be taken as specimens:
"_Notice to the Public._--This house and furniture to be sold,
Messrs. John Kemble & Co. declining business."
"_Notice to the Public._--The workhouse in Covent Garden has been
repaired, and greatly enlarged for the use of the Public."
Public-domain text, read in full here on John Shaqi.
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