Clowns -- Great Britain -- Biography; Grimaldi, Joseph, 1779-1837
It may appear to a great many persons a remarkable circumstance that
a pantomime Clown should have been called upon to read a lesson of
politeness and common decency to a reverend divine. The circumstance,
however, happened literally as it is here narrated. A somewhat similar
story has been told of another well-known actor; but this rudeness,
whether it arose in ignorance or intention, was offered to Grimaldi by
the reverend gentleman in question, whose name he well remembered, but
which we abstain from mentioning.
The Christmas pantomime at Covent Garden was entitled "Harlequin and
the Red Dwarf, or the Adamant Rock:" it was entirely successful.[61] On
Easter Monday, 1813, the melodrama of "Aladdin, or the Wonderful Lamp,"
written by Mr. Farley, was acted for the first time, Grimaldi playing
the character of Kasrac, a dumb slave, which became one of his most
popular characters.[62] The Sadler's Wells season merits no further
notice than that, as usual, it was very profitable, and that Grimaldi
produced a dance, called "Fun and Physic," which was performed every
night.
Covent Garden re-opened in September; and this year he was in constant
requisition before Christmas, as well as after, Aladdin being found an
extremely profitable piece. "Harlequin and the Swans, or the Bath of
Beauty," was produced at Christmas,[63] and followed at Easter by "Sadak
and Kalasrade," in which Grimaldi played Hassan.
Having now none of those amusements which in former years had served
to employ his idle hours having lost his flies, given up his pigeons,
removed from Finchley, sold his house, and resigned his garden, he
devoted the whole of his leisure time to the society and improvement
of his son. As he could not bear to part with him, and was wholly
unable to make up his mind to send him to any great boarding-school,
he was partly educated at the same school at which his father had
been a pupil, and partly by masters who attended him at home. The
father appears to have bestowed great and praiseworthy care upon his
education. Although at this time he was only twelve years old, he had
not only quite mastered the common rudiments of learning, but had
become well acquainted with French literature, and wrote the language
with ease and propriety. He had at a very early age manifested a great
fondness for music, especially the violin, and had acquired great
proficiency on that instrument, under the tuition of one of the first
masters in the country.
Public-domain text, read in full here on John Shaqi.
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