Clowns -- Great Britain -- Biography; Grimaldi, Joseph, 1779-1837
The circumstance was not long in reaching the ears of Mr. Harris and
Mr. Fawcett, who were made acquainted not only with Ellar's accident,
but with the man's threat, and the occasion which had given rise to it.
Fawcett immediately caused all the carpenters to assemble on the stage,
and told them that if Mr. Ellar would undertake to say he believed the
accident had been brought about wilfully, they should every one be
discharged on the spot. Ellar being sent for, and informed that this
was the proprietor's deliberate intention, replied without hesitation,
that he could not believe it was intentional, and whispered to Grimaldi
as he left the house, that the fellow had got a wife and half-a-dozen
children dependent upon him.
This praiseworthy resolution, which prevented several men from being
thrown out of employment, was rendered the more praiseworthy by Ellar's
having no earthly doubt that the mistake was intentional, and by his
knowing perfectly well that if he had fallen on his head in lieu of his
hand, he would most probably have been killed on the spot.
While upon the subject of stage accidents, we may remark, that very few
of these mischances befel Grimaldi, considering the risks to which a
pantomime actor is exposed, and the serious injuries he is constantly
encountering. The hazards were not so great in Grimaldi's case as
they would have been to any other man similarly situated, inasmuch as
his clown was a very quiet personage, so far as the use or abuse of
his limbs was concerned, and by no means addicted to those violent
contortions of body, which are painful alike to actor and spectator.
His clown was an embodied conception of his own, whose humour was in
his looks, and not in his tumbles, and who excited the laughter of an
audience while standing upon his heels, and not upon his head. If the
present race of clowns, and the rising generation of that honourable
fraternity, would endeavour to imitate him in this respect, they would
be more at ease themselves, and place their audiences more at ease also.
While playing in "Baron Munchausen" at Covent Garden, one evening very
shortly after Ellar's accident, he observed his Royal Highness the Duke
of York, accompanied by Sir Godfrey Webster and another gentleman,
sitting in his Royal Highness's private box, and laughing very heartily
at the piece. Upon his coming off the stage about the middle of the
pantomime, he found Sir Godfrey waiting for him.
"Hard work, Grimaldi!"
"Hard and hot, Sir Godfrey!"
"Have a pinch of snuff, Grimaldi," said Sir Godfrey: "it will refresh
you." With this he produced from behind him, where he had been holding
it, the largest snuff-box Grimaldi had ever beheld. The sight of
it amused him much. Sir Godfrey laughed and said, "Take it to that
gentleman," pointing to the pantaloon, who was on the stage, "and see
if he would like a pinch."
Public-domain text, read in full here on John Shaqi.
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