Clowns -- Great Britain -- Biography; Grimaldi, Joseph, 1779-1837
The opening of Sadler's Wells[72] was attended by many difficulties
and embarrassments. Only ten days before the commencement of the
season, Mr. Charles Dibdin suddenly relinquished his post of acting
stage-manager, and was with great difficulty prevailed upon to make the
necessary arrangements for the first week. As he left the theatre at
Whitsuntide, and nobody could be found to supply his place, Grimaldi
was obliged to fill it himself, and to relinquish, though with great
unwillingness, his summer excursion, with all its advantages. He
produced a new pantomime of his own invention, called "The Fates,"
which ran the whole of the season, and drew very good houses. The
result was, that when the books were made up at the end of the
season, each of the proprietors had something to receive; which was a
very agreeable improvement on the untoward prospects with which the
preceding year had opened.
Gradually, but surely, during the whole of this year Grimaldi felt his
health sinking, and heavy and painful infirmities creeping upon him. He
learnt, when it was too late, that if at this time he had retired from
the profession, and devoted one or two years to relaxation and quiet,
his constitution would in all probability have rallied, and he would
have been enabled to resume his usual occupations, with every hope of
being long able to perform them, instead of being compelled, as he
eventually was, to quit the stage when he was little more than forty
years old.
The Christmas pantomime at Covent Garden was "Harlequin Don Quixote,"
which was not quite so successful as the pantomimes at that house
usually had been, although Grimaldi played Sancho Panza in the opening,
and afterwards Clown. Its success was so equivocal, that another
pantomime, called "Harlequin and Cinderella," was produced in April;
but it had no greater success that its predecessor, for it went off but
indifferently, and did not run long. Having a few nights to spare in
March, he accepted a theatrical invitation from Lynn in Norfolk, where
he acted four nights and received one hundred and sixty pounds.
At Sadler's Wells a new system had been acted upon. The authorities
being greatly puzzled in the choice of a stage-manager, and having
received an offer from Mr. Howard Payne to take the theatre for
one season at a certain rental, agreed to let it. Mr. Howard Payne
commenced his campaign at Easter,[73] and a most unprofitable one
it proved, for he lost a considerable sum of money, as did the
proprietors also, and Grimaldi not unnaturally began to be weary of
the speculation. As both his benefits, however, were bumpers, he left
the theatre in good spirits in the month of September,[74] to fulfil
an engagement at Dublin, little dreaming at the time, that with the
exception of his farewell night, he was destined never again to act
upon the Sadler's Wells stage.
Public-domain text, read in full here on John Shaqi.
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