Clowns -- Great Britain -- Biography; Grimaldi, Joseph, 1779-1837
It was Mr. Charles Kemble's benefit night when he and his son arrived
at Birmingham; and as that gentleman was a great favourite there, as
indeed he was everywhere throughout his brilliant career, Grimaldi
entertained some fears that the circumstance would prove prejudicial to
his interests. He sought a few moments' conversation with Mr. Kemble in
the course of the evening, and informed him that his son had received
an offer of eight pounds per week from the Drury Lane Management, but
that rather than he should leave Covent Garden Theatre, with which his
father had now been connected so long, and where he had experienced
so much liberality, he was ready to accept an engagement there at six
pounds per week, if agreeable to the proprietors.
"Joe," said Mr. Charles Kemble, "your offer is a very handsome one, and
I agree to it at once. Your son is now engaged with us on the terms you
have mentioned."
They shook hands and parted. Grimaldi strolled into the green-room, and
there met Colonel Berkeley, who, after a short conversation, said that
he very much wished to play Valentine to his Orson: to which Grimaldi
replied, it would give him great pleasure to afford him the opportunity
whenever he felt disposed.
"Very well," said Colonel Berkeley, "then we will consider the matter
settled. As soon as you have done here, you must come to Cheltenham for
one night. I will make all necessary arrangements with Farley: your son
shall play the Green Knight, and I will give you one hundred pounds as
a remuneration. We will try what we can do together, Joe, to amuse the
people."
Grimaldi had not intended to act again after his Birmingham engagement,
until the production of the Christmas pantomime at Covent Garden; but
seeing that Colonel Berkeley was anxious to effect the arrangement, and
feeling grateful for the liberality of his offer, he pledged himself
without hesitation to accept his terms. The play was never done,
however, by these three performers, for Grimaldi's theatrical career
was over.
The night after Mr. Charles Kemble's benefit, Grimaldi produced a
little pantomime of his own, called "Puck and the Puddings." The hit
was so complete, and the sensation he excited so great, that he felt
infinitely better than he had done for a long time, and was, indeed,
so greatly restored that he was induced to accept an engagement for
one additional night, the success of which equalled--it could not
excel--that of the two previous evenings. When the curtain fell on
the third night, Mr. Bunn presented him with 186_l._ 12_s._ as his
share of the profits, accompanied with many wishes for his speedy and
perfect restoration to health, which Grimaldi himself, judging from his
unwonted spirit and vigour, cheerfully hoped might be yet in store for
him.
Public-domain text, read in full here on John Shaqi.
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