Clowns -- Great Britain -- Biography; Grimaldi, Joseph, 1779-1837
The communication was received with much kindness, and many good wishes
for his recovery. After several interviews and much consideration, it
was resolved that his son, J. S. Grimaldi, should be brought out as
principal Clown in the ensuing Christmas pantomime. He appeared, for
the first time[81] in that character, in the pantomime of "Harlequin
and Poor Robin, or the House that Jack built;" and his success was
complete. His father sat in the front of the house on his first
night, and was no less gratified by his reception in public, than by
the congratulations which poured upon him when he went round to the
stage and found everybody delighted with the result of the trial. The
pantomime proved very successful; it had an extended run, and the
proprietors of the theatre, highly satisfied with the young man's
success, with much liberality cancelled his existing articles, which
were for 6_l._ per week, and entered into a new agreement by which they
raised his salary to 8_l._ To Grimaldi, also, they behaved in a most
handsome manner; for although his regular salary was, as a matter of
course, stopped from the day on which he communicated his inability to
perform, they continued to allow him 5_l._ a week for the remainder of
the season; an act of much consideration and kindness on their part,
and a far greater token of their recollection of his services than he
had ever expected to receive.
The three years for which Egerton had taken Sadler's Wells having now
expired, he was requested by the proprietors to state what views he
entertained as to retaining or giving up the property. It being found
impossible to comply with his terms, and a Mr. Williams,[82] who at
that time had the Surrey, having made an offer for the theatre, they
agreed to let it to him for one season. Soon after this agreement was
entered into, Williams called upon Grimaldi one morning upon business,
and in the course of the interview the latter inquired by what plan he
proposed to make both theatres answer.
"Why, Mr. Grimaldi," replied Williams, "if two theatres could be kept
open at the same expense as one, and the company equally--mind, I say
_equally_--good, don't you think it very likely that the speculation
would succeed?"
"Yes, I think it would," rejoined Grimaldi, doubtfully, for as yet he
understood nothing of the manager's drift; "I think it would."
"And so do I," said the other; "and that's the way I mean to manage.
I mean to work the two theatres with one and the same company: I mean
to employ one-half the company in the earlier part of the evening at
Sadler's Wells, and then to transfer them to the Surrey, to finish
there;--at that theatre I shall do precisely the same: and I am now
having carriages built expressly to convey them backwards and forwards."
Public-domain text, read in full here on John Shaqi.
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