admiral, coming up to me, jerked his thumb in the direction of the surrounding panels, and said, confidentially, "The whole of this was put up by that man's father." But in a much more memorable way romance conquered reality one night in the drawing-room. The ladies of the party had disappeared; and by way of doing something Lytton, two other men, and myself became somehow grouped round a card table with our minds made up for whist. At first we put down our cards with promptitude and a semblance of attention, but someone before long made some observation which, though interesting, was wholly irrelevant to the game. The three others put down their cards to listen, and had, when they took them up again, some difficulty in remembering who was to play next. Presently one of them quoted a line of poetry. It was from Coleridge's "Kublai Khan." Somebody else suggested a mild doubt as to whether that poem had, as the author contended, really been composed in a dream. The game once more proceeded, but our host's eyes had already begun to wander, and at last he frankly threw his own cards on the table. Everybody else followed him. Cards were things forgotten. Their place was taken by poetry. Single lines were cited which the authors had dreamed undoubtedly. The most remarkable was dreamed by a brother of Tennyson, after a day spent in examining a bundle of ancient manuscripts. The line--it was Latin--was as follows: "_Immemorabilium per fulva crepuscula palpans_"--that is to say, "fumbling among the tawny twilights of immemorables." Lord Lytton looked as if he were in a dream himself. Presently he spoke as though his mind were coming back from a distance. "I," he said, "dreamed a poem in India. It has never been written down, but I still can remember every line of it. Listen." The poem, which was full of vague Oriental imagery, was perfectly intelligible, and throbbed with a certain sonority like that of distant gongs; but no sane man would have written it in his waking moments. In that fact lay its charm. The author's voice, naturally low and musical, acquired new tones as he recited it, giving to it the qualities of an incantation; and round us, as though fashioned out of shadows, was the large, dimly lighted drawing-room, which the old novelist had incrusted with impossible heraldries, culminating in escutcheons of pre-Christian Welsh kings.