Memoirs of Life and LiteratureMallock, W. H. (William Hurrell)
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Memoirs of Life and Literature
Mallock, W. H. (William Hurrell)
Mallock, W. H. (William Hurrell), 1849-1923
was possible, to different sides of the street. Why, then, should they
wish to meet in a club coffee room and lunch at adjacent tables, simply
because each, besides holding opinions absolutely odious to the other,
should, instead of keeping them to himself, endeavor to disseminate them
by writing among as many of his fellow creatures as was possible?
It may be said that two such men might very well wish to do so because,
though what each expressed was odious to the other in itself, each was a
consummate master of literary art in expressing it, and each admired,
and was aware of, the presence of this technical mastery in the other.
Now, so far as it goes, this, in numerous cases, may be true. Indeed,
such an admission is the very point from which the present argument
started. Pure literature, as such, is, no doubt, susceptible of
consummate beauties, in their natural admiration of which men who are
otherwise the bitterest adversaries may agree. What does this admission
cover? It applies, in my own opinion, to minor literature only, though
masterpieces of minor literature may be in their own way supreme, as
Keats has shown us in such poems as "La Belle Dame Sans Merci," but, as
applied to literature in its higher and greater forms, the admission
fails to be true, because it fails to be adequate. A poem by Keats may
be admirable so far as it goes, but really great literature, such as
Goethe's "Faust," for example, would possess but a minor value unless
there were at the back of it something that is more than literature. In
the case of a poem like "Endymion" the poem is greater than the man who
writes it. In the case of a poem like "Faust" the man is greater than
the poem. Behind the poet stands the man of profound reflection, the man
of the world, the philosopher, the passionate or disillusioned lover. He
is all of these before he is a literary artist. His writing is only the
vehicle by which he communicates what he is in all these capacities to
others, and so leaves a practical impression on the thoughts and
emotions of the world.
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