Memoirs of Life and LiteratureMallock, W. H. (William Hurrell)
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Memoirs of Life and Literature
Mallock, W. H. (William Hurrell)
Mallock, W. H. (William Hurrell), 1849-1923
On one of these latter occasions I was, as well as I can remember, the
only non-Catholic in the company. This was a great luncheon party given
by the then Lord Bute in honor of Cardinal Manning. Lord Bute, who was
in many ways the most learned of the then recent converts to
Catholicism, was, as is well known, the original of _Lothair_ in Lord
Beaconsfield's famous novel. Lord Beaconsfield's portrait of him was
disfigured, and indeed made ridiculous, by the gilding, or rather the
tinsel, with which his essentially alien taste bedizened it; but, apart
from such exaggerations, there were elements in it of unmistakable
likeness, and the entertainment to which I am now referring was, apart
from its peculiar sequel, like a page of _Lothair_ translating itself
into actual life.
The Butes were at that time living at Chiswick House, which they rented
from the Duke of Devonshire. The house is a good example of that
grandiose classicality which we associate with the eighteenth century,
and the saloon in which the guests were assembled provided them with an
appropriate background. They were something like thirty in number, and
comprised some of the greatest of the then great Catholic ladies. Lord
Beaconsfield himself could not have chosen them better. Indeed his Lady
St. Jerome was actually there in person. When I entered there was a good
deal of talking, and yet at the same time there was something like a
hush. I divined, and divined correctly, that the Cardinal had not yet
arrived. The minutes went slowly on; the appointed hour was past. At
length a sound was heard which seemed to emanate from an anteroom, and
presently a figure was solemnly gliding forward--a figure slight,
emaciated, and habited in a long black cassock. This was relieved at the
throat by one peeping patch of purple, and above the throat was a face
the delicate sternness of which was like semitransparent ivory. The
company parted, making way for the great Churchman, and then a scene
enacted itself which cannot be better described than in the words
written many years previously by the author of _Lothair_ himself. "The
ladies did their best to signalize what the Cardinal was and what he
represented, by reverences which a posture-master might have envied and
certainly could not have surpassed. They seemed to sink into the earth,
and slowly and supernaturally to emerge."
Public-domain text, read in full here on John Shaqi.
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