Memoirs of Miss Sidney Biddulph: Extracted from her own Journal, and now first publishedSheridan, Frances Chamberlaine
General
Memoirs of Miss Sidney Biddulph: Extracted from her own Journal, and now first published
Sheridan, Frances Chamberlaine
English fiction -- 18th century
I am no longer in doubt.--The cause, the fatal cause of Mr Arnold's
change is discovered. This miserable day has disclosed the secret to me;
a black, a complicated scene of mischief.
Mr Arnold rode out this morning. He told me he was to dine with a
gentleman at some miles distance, and should not return till late in the
evening.
He was but just gone, when a lady of my acquaintance called in upon me,
to request I would go with her to a play, that was to be performed at
night. You must know we have had a company of players in the
neighbourhood for some time past, and it was to one of those poor
people's benefits that she desired my company. I promised to attend her,
though you know I don't much admire those sort of entertainments in the
country, and seldom go to them.
The lady and her husband called upon me at the appointed hour, and I
went with them in their coach. The place which the players had fitted up
for their purpose, had formerly been a pretty large schoolroom, and
could, with the addition of a gallery (which they had made) with ease
contain above three hundred people. The play had been bespoke by some of
the principal ladies in the neighbourhood, who had used all their
interest for the performer, so that the house was as full as it could
hold. The audience consisting chiefly of fashionable people, it was with
difficulty that we reached the places which were kept for us in the pit,
as they happened to be on the bench next the stage, and the door was at
the other end of the house. The first object that I observed on my
coming in was Mr Faulkland; he bowed to me at a distance, but made no
attempts to approach me. The play was come to the latter end of the
fourth act, and the curtain was let down to make some preparation on the
stage, when we were alarmed with the cry of fire.
It happened that the carpenters, who had been employed in fitting up
this extempore theatre, had left a heap of shavings in a little place
behind the stage, which had been converted into a dressing-room; a
little boy belonging to the company had found a candle in it, and having
piled up the shavings, set them on fire, and left them burning: the
flame communicated itself to some dry boards which lay in the room, and
in a few minutes the whole was in a blaze. Some persons, who heard the
crackling of the wood, opened the door, when the flame burst out with
such violence, that the scenes were presently on fire, and the curtain,
which as I told you was dropt, soon caught it.
The consternation and terror of the poor people, whose _all_ was
destroying, is not to be described: the women shrieking, threw
themselves off the stage into the pit, as the smoke and flames terrified
them from attempting to get out any other way, though there was a door
behind the stage.
The audience were in little less confusion than they; for as the house
was composed chiefly of wood, every one expected it would soon be
consumed to ashes.
Public-domain text, read in full here on John Shaqi.
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