While we were thus amusing ourselves in the noble city of the Counts of
Provence, Roumanille, more wise and staid, was publishing at Avignon,
in the periodical called the _Commune_, admirable dialogues, full of
wisdom, good sense and courage, as, for example, “Le Thym,” “Un Rouge et
un Blanc,” “Les Prêtres,” work which both popularised and dignified the
Provençal tongue. From this he proceeded, on the strength of the
reputation won by his “Pâquerettes” and his daring pamphlets, to
convoke, through the means of his journal, all Provençal singers of the
day, old and young. The outcome of this rallying movement was a
publication in 1852, _Les Provençales_, presented to the public with an
introduction of ardent enthusiasm by the learned and eminent savant,
Monsieur Saint-René Taillandier, then residing at Montpellier.
In this first venture appeared contributions from d’Astros and Gaut of
Aix; Aubert, Bellot, Bénédit, Bourelly, and Barthélemy of Marseilles;
Bondin, Cassan, Giéra of Avignon; Tarascon was represented by Gautier,
and Beaucaire by Bonnet; Châteauneuf by Anselme Mathieu; Carpentras by
Reybaud and Dupuy; Cavaillon by Castil-Blaze, then there was Garcin,
warm-hearted son of that Marshal d’Alliens mentioned in _Mireille_; and
Crousillat of Salon, besides a group of Languedoc poets--Moquin-Tandon,
Peyrottes, Lafare-Alois; and Jasmin, who contributed one poem.
The principal contributor, however, was Roumanille, then in full flower
of production, his last work, entitled “Les Crèches,” having elicited
from the great Sainte-Beuve the declaration that it was worthy of
Klopstock.
Théodore Aubanel, then in his twenty-second year, began to send forth
his first master-strokes, “Le 9 Thermidor,” “Les Faucheurs,” “A la
Toussaint.” And finally, I also, aflame with the fine ardour of
patriotism, sent in my ten short pieces, among which were “Amertume,”
“Le Mistral,” “Une Course de Taureaux,” and a “Bonjour à Tous,” which
last notified our new start.
* * * * *
But to return to the gay Mathieu and his love adventure with the lady of
Aix, the conclusion of which I left untold.
Whenever I came across this student in the laws of love, I inquired
without fail of his progress.
His patience and perseverance, he announced to me one day, had been
rewarded, and Lélette, the little laundress, at last consented to show
him the house of the fair _baronne_. Beneath her balcony he had from
that time paced to and fro, unwearyingly, until finally observed by the
object of his adoration--a lady, declared Mathieu, of matchless
beauty--and the sequel proved of good taste also, since the other
evening, smiling charmingly upon her devoted cavalier, she had let fall
from the heaven above him--a flower.
Thereupon Mathieu produced a faded carnation in proof of his tale, and
gazing with tender rapture, blew a kiss skywards.
After this, several months elapsed, without my catching a sight of
Mathieu. I resolved to go and look him up.
Public-domain text, read in full here on John Shaqi.
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