And, looking upon it, I stood there like one transfigured, filled with
a great joy; for the curtains hanging from a graceful tester like a
crown would have satisfied the painter Boucher.... He rarely painted
bedrooms. I do not remember any at this moment; but I remember many by
Fragonard, and Fragonard would have said: "I have no fault to find
with that bed." The carpet was not Aubusson, but it was nevertheless a
finely-designed carpet, and its colour was harmonious; the sofa was
shapely enough, and the Louis XVI. arm-chairs were filled with deep
cushions. I turned to the toilet-table fearing it might prove an
incongruity, but it was in perfect keeping with the room, and I began
at once to look forward to seeing it laid out with all the manifold
ivories and silver of Doris's dressing-case.
Imagine my flight, dear reader, if you can, back to Doris, whom I had
left trying to make the best of that miserable square room; more like
a prison cell than a bedroom.
"What is the matter, dearest?" she asked.
But without answering her I said, "Give me your hand," and led her as
a prince leads his betrothed, in a fairy tale, through the
richly-coloured salon, lingering a moment for her to admire it, and
then I took her through my room, the double-bedded room, saying: "All
this is nothing; wait till you see your room." And Doris paused
overcome by the beauty of the bed, of the curtains falling from the
tester gracefully as laburnum or acacia branches in June.
"The rooms are beautiful, but a little cheerless."
"Doris, Doris, you don't deserve to lie there! The windows of course
must be opened, fresh air must be let in, and fires must be lighted.
But think of you and me sitting here side by side talking before our
bedtime."
Fires were lighted quickly, servants came in bearing candelabra in
their hands, and among them, and with Doris by my side, I imagined
myself a prince, for who is a prince but he who possesses the most
desirable thing in the world, who finds himself in the most delectable
circumstances? And what circumstance is more delightful than sitting
in a great shadowy bedroom, watching the logs burning, shedding their
grateful heat through the room, for the logs that were brought to us,
as we soon discovered, were not the soft wood grown for consumption in
Parisian hotels; the logs that warmed our toes in Orelay were dense
and hard as iron, and burned like coal, only more fragrantly, and very
soon the bareness of the room disappeared; a petticoat, as Doris had
said, thrown over a chair gives an inhabited look to a room at once;
and the contents of her dressing-case, as I anticipated, took the room
back to one hundred years ago, when some great lady sat there in a
flowered silk gown before one of those inlaid dressing tables, filled
with pigments and powders and glasses.
Public-domain text, read in full here on John Shaqi.
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