A crowd had collected to hear her, for she was playing out of the
great silence that is in every soul, in that of the light-o'-love as
well as of the saint, and she went on playing, apparently unaware of
the number of people she had collected about her. She stopped playing
and returned to me.
"You play beautifully; why did you say you didn't like Beethoven?"
"I didn't say I didn't like Beethoven; you know very well mamma can't
play the 'Impassionata.'"
"Why aren't you always like this?"
"I don't know. One can't always be the same. I feel differently when I
play; the mood only comes over me sometimes. I used to play a great
deal; I only play occasionally now, just when I feel like it."
We walked through the alleys by the statues, seeing them hardly at
all, thinking of the music.
"I must be getting back," she said. "You see, I've got to pack up.
Mother can't do any packing; I've to do hers for her. I hope we shall
meet again some day."
"What good would it be? I only like you when you're playing, and
you're not often in the mood."
"I'm sorry for that; perhaps if you knew me better----"
"Now you're married, and I suppose Donald will come to Rome to fetch
you?"
"Oh, I don't think he'll be able. He has got no money."
"And you'll fall in love with some one else?"
"Well, perhaps so; I don't feel that I ever could again after this
week." Stopping suddenly in front of a hosier's shop, she said: "I
like those collars; they have just come out--those turned-down ones.
Do you like them as well as the great high stand-up collars about
three inches deep? When they were the fashion men could hardly move
their heads." Then she made some remarks about neckties and the colour
she liked best--violet. "Yes, there's a nice shade of violet. Poor
Donald! He's so handsome."
After the hosier's shop she spoke no more about music. And long before
we reached the hotel she who had played--I cannot say for certain what
she played that day in the Luxembourg Gardens; my love of music was
not then fully awakened; could it have been?--the names of Bach and
Chopin come up in my mind--"I can't speak about music," she said, as
we turned into the Rue du Bac, and she ran up the stairs of the hotel
possessed completely by the other Mildred. She asked her mother to
play the "Brooklyn Cake Walk," and she danced "the lovely two-step,"
as she had learned it at Nice, for my enjoyment. I noticed that she
looked extraordinarily comic as she skipped up and down the room, the
line of her chin deflected, and that always gives a slightly comic
look to a face. She came downstairs with me, and, standing at the
hotel door, she told me of something that had happened yesterday.
Public-domain text, read in full here on John Shaqi.
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