It was last week that I realised, and for the first time, how
different was the life of the married from the unmarried. The day was
Sunday, and I had been writing all day, and in the hush that begins
about six o'clock I remembered I had no dinner engagement that
evening. The cup of tea I generally take about half-past four had
enabled me to do another hour's work, but a little after six sentences
refused to form themselves, a little dizziness began in the brain, and
the question not only "Where shall I dine?" but "Where shall I pass
the hour before dinner?" presented itself. The first thing to do was
to dress, and while dressing I remembered that I had not wandered in
St. James's Park for some time, and that that park since boyhood had
fascinated me. St. James's Park and the Green Park have never been
divided in my admiration of their beauty. The trees that grow along
the Piccadilly railings are more beautiful in St. James's Park, or
seem so, for the dells are well designed. The art of landscape-gardening
is more akin to the art of a musician than to that of
a painter; it is a sort of architecture with colour added. The
formal landscape-gardening of Versailles reminds one of a tragedy by
Racine, but the romantic modulations of the green hills along the
Piccadilly areas are as enchanting as Haydn. There was a time when a
boy used to walk from Brompton to Piccadilly to see, not the dells,
but the women going home from the Argyle Rooms and the Alhambra, but
after a slight hesitation he often crossed from the frequented to the
silent side, to stand in admiration of the white rays of moonlight
stealing between the trunks of the trees, allowing him to perceive the
shapes of the hollows through the darkness. The trees grow so
beautifully about these mounds, and upon the mounds, that it is easy
to fill the interspaces with figures from Gainsborough's pictures,
ladies in hoops and powdered hair, elegant gentlemen wearing buckled
shoes, tail-coats, and the swords which made them gentlemen.
Gainsborough did not make his gentlemen plead--that was his fault; but
Watteau's ladies put their fans to their lips so archly, asking the
pleading lover if he believes all he says, knowing well that his vows
are only part of the gracious entertainment. But why did not the great
designer of St. James's Park build little Greek temples--those
pillared and domed temples which give such grace to English parks?
Perhaps the great artist who laid out the Green Park was a moralist
and a seer, and divining the stream of ladies that come up from
Brompton to Piccadilly he thought--well, well, his thoughts were his
own, and now the earth is over him, as Rossetti would say.
Public-domain text, read in full here on John Shaqi.
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