As the twilight gathered under the plane trees my vision became more
mixed and morbid, and I hardly knew if the picture I saw was the
picture in the Dulwich Gallery or the exquisite picture in the Louvre,
"Une Assemblée dans la Parc." We all know that picture, the gallants
and the ladies by the water-side, and the blue evening showing through
the tall trees. The picture before me was like that picture, only the
placing of the trees and the slope of the greensward did not admit of
so extended a composition. A rough tree-trunk, from which a great
branch had been broken or lopped off, stood out suddenly in very
nineteenth-century naturalness, awaking the ghost of a picture which I
recognised at once as Corot. Behind the tree a tender, evanescent sky,
pure and transparent as the very heart of a flower, rose up, filling
the park with romance, and as the sunset drooped upon the water, my
soul said, "The Lake!" Ah, the pensive shadow that falls from the
hills on either side of "The Lake," leaving the middle of the picture
suffused with a long stream of light, narrowing as it approached the
low horizon. But the line of the trees on the hither side of this
London lake was heavier than the spiritual trees in the picture
entitled "By the Water-side," and there was not anywhere the beauty of
the broken birch that leans over the lake in "Le Lac de Garde." Then I
thought of "The Ravine," for the darkening island reminded me of the
hillside in the picture. But the St. James's Park sky lacked the
refined concentration of light in "The Ravine," so beautifully placed,
low down in the picture, behind some dark branches jutting from the
right. The difference between Nature and Corot is as great as the
difference between a true and a false Corot. Not that there is
anything untrue in Nature, only Nature lacks humanity--self! Therefore
not quite so interesting as a good Corot.
So did I chatter to myself as I walked toward the bridge, that dear
bridge, thrown straight as a plank across the lake, with numerous
water-fowl collected there, a black swan driving the ducks about,
snatching more than his due share of bread, and little children
staring stolidly, afraid of the swan, and constantly reproved by their
mothers for reasons which must always seem obscure to the bachelor. A
little breeze was blowing, and the ducks bobbed like corks in the
waves, keeping themselves in place with graceful side-strokes of their
webbed feet. Sometimes the ducks rose from the water and flew round
the trees by Queen Anne's Mansions, or they fled down the lake with
outstretched necks like ducks on a Japanese fan, dropping at last into
the water by the darkening island, leaving long silver lines, which
the night instantly obliterated.
Public-domain text, read in full here on John Shaqi.
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