without being aware of them, speaking unconsciously, just as he
breathed, he had told me that if my heart were set on any particular
place I had only to tell Michael Malia and he would keep it for me;
there would be a convenient place for me just above my grandfather
when they had got the new shelf up; he had heard we were both writers.
That country boy took it out of me as perhaps no poet had ever done! I
shall never forget him as I saw him going away stolidly through the
green wood, his bag of lime on his back.
And sitting down in front of the tranquil lake I said, "In twenty or
thirty years I shall certainly join the others in that horrible vault;
nothing can save me," and again the present slipped away from me and
my mind became again clear as glass; the present is only subconscious;
were it not so we could not live. I have said all this before; again I
seemed to myself like a fly crawling up a pane of glass, falling back,
buzzing, and crawling again. Every expedient that I explored proved
illusory, every one led to the same conclusion that the dead are
powerless. "The living do with us what they like," I muttered, and I
thought of all my Catholic relations, every one of whom believes in
the intervention of priests and holy water, the Immaculate Conception,
the Pope's Indulgences, and a host of other things which I could not
remember, so great was my anguish of mind at the thought that my poor
pagan body should be delivered helpless into their pious hands. I
remembered their faces, I could hear their voices--that of my dear
brother, whom I shall always think of as a strayed cardinal rather
than as a colonel; I could see his pale eyes moist with faith in the
intercession of the Virgin--one can always tell a Catholic at sight,
just as one can tell a consumptive. The curving lake, the pale
mountains, the low shores, the sunlight, and the haze contributed not
a little to frighten me; the country looked intensely Catholic at that
moment. My thoughts swerved, and I began to wonder if the face of a
country takes its character from the ideas of those living in it. "How
shall I escape from that vault?" I cried out suddenly. Michael Malia's
hodman had said that they might place me just above my grandfather,
and my grandfather was a man of letters, a historian whose histories I
had not read; and in the midst of the horror my probable burial
inspired in me, I found some amusement in the admission that I should
like the old gentleman whose portrait hung in the dining-room to have
read my novels. This being so, it was not improbable that he would
like me to read his histories, and I began to speculate on what the
author of a history of the French Revolution[1] would think of "Esther
Waters." The colour of the chocolate coat he wears in his picture
fixed itself in my mind's eye, and I began to compare it with the
colour of the brown garment worn by the ghost I had seen in the wood.
Good Heavens, if it were his ghost I had seen!
Public-domain text, read in full here on John Shaqi.
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