I ever traced out my thoughts as completely or as perfectly as I have
done in this order for my tomb. One trouble, however, still remained
upon my mind. Where should the vase be placed? Not in Westminster
Abbey. Fie upon all places of Christian burial! A museum inspires
lofty thoughts in a few; Gouncourt speaks of the icy admiration of
crowds. The vase might stand in the stone wall, and in the very corner
where I learned to spin my top? But sooner or later a housemaid would
break it. The house itself will become the property of another family,
and the stranger will look upon the vase with idle curiosity, or
perhaps think it depressing to have me in the hall. An order for my
removal to a garret might be made out.
The disposal of the vase caused me a great deal of anxiety, and I
foresaw that unless I hit upon some idea whereby I could safeguard it
from injury for ever, my project would be deprived of half its value.
As I sat thinking I heard a noise of feet suddenly on the staircase.
"They are bringing down my mother's coffin," I said, and at that
moment the door was opened and I was told that the funeral procession
was waiting for me. My brother, and various relatives and friends,
were waiting in the hall; black gloves were on every hand, crepe
streamed from every hat, "All the paraphernalia of grief," I muttered;
"nothing is wanting." My soul revolted against this mockery. "But why
should I pity my mother? She wished to lie beside her husband. And far
be it from me to criticise such a desire!"
Public-domain text, read in full here on John Shaqi.
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