shrilling of awakening sparrows! How haggard we all were, but we
remained till eight in the morning. That fête was paid for with the
last remnant of the poor marquise's fortune. Afterwards she was very
poor, and Suzanne, her daughter, went on the stage and discovered a
certain talent for acting which has been her fortune to this day. I
will go to the Vaudeville to-night to see her; we might arrange to go
together to see her mother's grave. To visit the grave, and to strew
azaleas upon it, would be a pretty piece of sentimental mockery. But
for my adventure there should be seven visits; Madame ---- would make
a fourth; I hear that she is losing her sight, and lives in a chateau
about fifty miles from Paris, a chateau built in the time of Louis
XIII., with high-pitched roofs and many shutters, and formal gardens
with balustrades and fish-ponds, yes _et des charmilles--charmilles_--what
is that in English?--avenues of clipped limes. To walk in an avenue
of clipped limes with a woman who is nearly blind, and talk to her of the
past, would be indeed an adventure far "beyond the range of formal man's
emotion."
Madame ---- interrupted our love story. She would be another--that
would be five--and I shall think of two more during dinner. But now I
must be moving on; the day has ended; Paris is defining itself upon a
straw-coloured sky. I must go, the day is done; and hearing the last
notes trickle out--somebody has been playing the prelude to
"Tristan"--I say: "Another pretty day passed, a day of meditation on
art and women--and what else is there to meditate about? To-morrow
will happily be the same as to-day, and to-morrow I shall again
meditate on art and women, and the day after I shall be occupied with
what I once heard dear old M'Cormac, Bishop of Galway, describe in his
sermon as 'the degrading passion of "loave."'"
CHAPTER VII
NINON'S TABLE D'HÔTE
The day dies in sultry languor. A warm night breathes upon the town,
and in the exhaustion of light and hush of sound, life strikes sharply
on the ear and brain.
It was early in the evening when I returned home, and, sitting in the
window, I read till surprised by the dusk; and when my eyes could no
longer follow the printed page, holding the book between finger and
thumb, my face resting on the other hand, I looked out on the garden,
allowing my heart to fill with dreams. The book that had interested me
dealt with the complex technique of the art of the Low Countries--a
book written by a painter. It has awakened in me memories of all
kinds, heartrending struggles, youthful passion, bitter
disappointments; it has called into mind a multitude of thoughts and
things, and, wearied with admiring many pictures and arguing with
myself, I am now glad to exchange my book for the gentle
hallucinations of the twilight.
Public-domain text, read in full here on John Shaqi.
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