Gibbon, Edward, 1737-1794; Historians -- Great Britain -- Biography
The ode which he composed on his first arrival on the banks of the
Leman Lake, O Maison d'Aristippe! O Jardin d'Epicure, &c. had been
imparted as a secret to the gentleman by whom I was introduced. He
allowed me to read it twice; I knew it by heart; and as my
discretion was not equal to my memory, the author was soon
displeased by the circulation of a copy. In writing this trivial
anecdote, I wished to observe whether my memory was impaired, and I
have the comfort of finding that every line of the poem is still
engraved in fresh and indelible characters. The highest
gratification which I derived from Voltaire's residence at Lausanne,
was the uncommon circumstance of hearing a great poet declaim his
own productions on the stage. He had formed a company of gentlemen
and ladies, some of whom were not destitute of talents. A decent
theatre was framed at Monrepos, a country-house at the end of a
suburb; dresses and scenes were provided at the expense of the
actors; and the author directed the rehearsals with the zeal and
attention of paternal love. In two successive winters his tragedies
of Zayre, Alzire, Zulime, and his sentimental comedy of the Enfant
Prodigue, were played at the theatre of Monrepos. Voltaire
represented the characters best adapted to his years, Lusignan,
Alvarez, Benassar, Euphemon. His declamation was fashioned to the
pomp and cadence of the old stage; and he expressed the enthusiasm
of poetry, rather than the feelings of nature. My ardour, which
soon became conspicuous, seldom failed of procuring me a ticket.
The habits of pleasure fortified my taste for the French theatre,
and that taste has perhaps abated my idolatry for the gigantic
genius of Shakespeare, which is inculcated from our infancy as the
first duty of an Englishman. The wit and philosophy of Voltaire,
his table and theatre, refined, in a visible degree, the manners of
Lausanne; and, however addicted to study, I enjoyed my share of the
amusements of society. After the representation of Monrepos I
sometimes supped with the actors. I was now familiar in some, and
acquainted in many houses; and my evenings were generally devoted to
cards and conversation, either in private parties or numerous
assemblies.
Public-domain text, read in full here on John Shaqi.
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