of a stranger, uninformed by the scholars and statesmen, and remote from the libraries and archives of the Swiss republics. My ancient habits, and the presence of Deyverdun, encouraged me to write in French for the continent of Europe; but I was conscious myself that my style, above prose and below poetry, degenerated into a verbose and turgid declamation. Perhaps I may impute the failure to the injudicious choice of a foreign language. Perhaps I may suspect that the language itself is ill adapted to sustain the vigour and dignity of an important narrative. But if France, so rich in literary merit, had produced a great original historian, his genius would have formed and fixed the idiom to the proper tone, the peculiar model of historical eloquence. It was in search of some liberal and lucrative employment that my friend Deyverdun had visited England. His remittances from home were scanty and precarious. My purse was always open, but it was often empty; and I bitterly felt the want of riches and power, which might have enabled me to correct the errors of his fortune. His wishes and qualifications solicited the station of the travelling governor of some wealthy pupil; but every vacancy provoked so many eager candidates, that for a long time I struggled without success; nor was it till after much application that I could even place him as a clerk in the office of the secretary of state. In a residence of several years he never acquired the just pronunciation and familiar use of the English tongue, but he read our most difficult authors with ease and taste: his critical knowledge of our language and poetry was such as few foreigners have possessed; and few of our countrymen could enjoy the theatre of Shakspeare and Garrick with more exquisite feeling and discernment. The consciousness of his own strength, and the assurance of my aid, emboldened him to imitate the example of Dr. Maty, whose Journal Britannique was esteemed and regretted; and to improve his model, by uniting with the transactions of literature a philosophic view of the arts and manners of the British nation. Our journal for the year 1767, under the title of Memoires Literaires de la Grand Bretagne, was soon finished, and sent to the press. For the first article, Lord Lyttelton's History of Henry II., I must own myself responsible; but the public has ratified my judgment of that voluminous work, in which sense and learning are not illuminated by a ray of genius. The next specimen was the choice of my friend, the Bath Guide, a light and whimsical performance, of local, and even verbal, pleasantry. I started at the attempt: he smiled at my fears: his courage was justified by success; and a master of both languages will applaud the curious felicity with which he has transfused into French prose the spirit, and even the humour, of the English verse. It is not my wish to deny how deeply I was interested in these