Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
General
Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
The Componium was enormously successful, but at last public curiosity
was exhausted, and it was withdrawn, after bringing in the owner one
hundred thousand francs clear profit in a year. This amount, whether
correct or not, was adroitly published, and some time after the
instrument was put up for sale. A speculator by the name of D----,
seduced by the hope of obtaining equally large receipts in a foreign
country, bought the instrument, and took it to England. Unfortunately
for D----, at the moment when this goose with the golden eggs arrived in
London, George IV. died; the court went into mourning, and no one
visited the instrument. In order to avoid useless expense, D----
thought it prudent to give up a scheme commenced under such evil
auspices, and determined on returning to Paris. The Componium was
consequently taken to pieces, packed up and carried to France.
D----, hoped the instrument would enter duty free, but, on leaving
France, he had omitted some formality indispensable before obtaining
this favor. The Customs stopped it, and he was obliged to refer the case
to the Minister of Trade. While awaiting his decision, the chests were
deposited in damp ware-rooms, and it was not till the end of the year,
and after numberless formalities and difficulties, that the instrument
returned to Paris.
This will give an idea of the state of disorder, confusion and damage in
which the Componium was left.
Discouraged by the ill success of his trip to England, D---- resolved on
selling his mechanical improviser, but, before doing so, he cast about
for a mechanician who would undertake to put it in working order. I have
forgotten to state that, on the sale of the Componium, M. Koppen had
handed over with it a very clever German workman, who was, as it were,
the driver of this gigantic instrument. This person, finding he must sit
with his hands before him during the interminable formalities of the
French Customs, thought he could not do better than return home.
The repair of the Componium was a tedious business--a work of
perserverance and research--for, as its arrangement had always been kept
secret, no one could supply the least information. D---- himself, having
no notion of mechanism, could not be of the slightest use, so the
workman must only depend on his own ideas.
I heard the matter talked about, and, urged by a probably too flattering
opinion of myself, or rather dazzled by the glory of executing such a
splendid job, I offered to undertake the immense repairs.
I was laughed at: the confession is humiliating, but perfectly truthful.
I must say, too, that it was justifiable, for I was only known at that
time as an humble workman, and it was feared that, far from making the
instrument act properly, I should cause still greater injury, while
trying to repair it. However, as D---- met with no better offer, and I
offered to deposit a sum, to be forfeited in the event of my doing any
injury, he eventually yielded to my wishes.
Public-domain text, read in full here on John Shaqi.
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