Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
“Good Heavens! who spoke about exactness? I only want an approximation,
and that must be the lowest possible, that there may be no mistake.”
“Well,” I went on, continuing my friend’s decimal calculations, “take a
tenth.”
“Now, mind, _you_ said a tenth, or, in other words, one hundred
thousand. But,” the inventor continued, charmed at seeing me share his
brilliant calculations, “do you know what the sale of these one hundred
thousand inkstands will produce me in a year?”
“I can form no idea.”
“I will then tell you. I have reserved myself one franc on each inkstand
sold. This gives a profit then----“
“Of one hundred thousand francs, of course.”
“You see, there is no difficulty in making the calculation. You must
bear in mind, too, that the other nine hundred thousand writers we left
on one side will end by appreciating my inkstand: they will also buy it.
Then what will the nine millions we omitted do? And notice, too, that I
am only speaking of France, which is a mere dot on the globe. When
foreign countries know its merits, when the English and their colonies
order it---- Oh, it would require a mathematician to reckon all this
up!”
My friend wiped his brow, which had grown quite damp during the heat of
his address, and he ended by repeating, “Remember, we established our
estimate on the lowest basis.”
Unfortunately, that was the place where my friend’s calculation broke
down. His inkstand, being much too dear, was not purchased, and the
inventor ended by adding this gold mine to his many other deceptions.
I, too, I confess, based my calculations on the census, or, at least, on
the approximative number of visitors to the capital, and even at the
lowest figure I arrived at a most satisfactory result. But I do not
regret having given way to these fancies, for though they occasioned me
various disappointments, they served to keep up some energy in my mind,
and enabled me to wrestle against the numberless difficulties I
encountered in making my automata. Besides, who has not, once in his
life at least, indulged in the gilded calculations of my friend the
inkstand inventor?
I have already repeatedly mentioned the automata I made, and it is high
time to describe the nature of the articles intended to be used in my
performances.
The first was a small pastrycook issuing from his shop door at the word
of command, and bringing, according to the spectator’s request, patties
and refreshments of every description. At the side of the shop assistant
pastrycooks might be seen rolling paste and putting it in the oven.
Another specimen represented two clowns, Auriol and Debureau. The latter
held out at arm’s length a chair, on which his merry comrade performed
acrobatic tricks, like his namesake at the circus in the Champs Elysées.
After these performances Auriol smoked a pipe, and ended by accompanying
on the flagolet an air played by the orchestra.
Public-domain text, read in full here on John Shaqi.
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