Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
“I have often noticed,” Antonio continued, “that those events which
inspire us with the greatest doubt, turn out the most favorable, and
mine was a case in point. As I had a good deal of spare time, I thought
I would employ it in giving singing lessons. I, therefore described
myself as a singer at the Opera, while concealing the position I
occupied there. Procuring my first pupil was as difficult as saving the
first hundred pounds towards a fortune, and I had to wait a long time.
At length I caught him; then others; and, gradually, I had enough pupils
to enable me to leave the theatre.
“I must tell you this determination had another reason. I loved one of
my lady pupils, and she returned my affection. Under such circumstances,
it was not prudent to remain a chorus-singer, which might have impeded
my views. You naturally expect some romantic adventure; but nothing
could be more simple than the event which crowned our loves--it was
marriage.
“Madame Torrini, whom you will see presently, was the daughter of a
retired laceman. Her father, a widower, with no other children, had no
will but his daughter’s, and he accepted my offers. He was the worthiest
of men; but, unfortunately we lost him two years ago. I retired from my
professional duties on the fortune he left us, and I now live happily
and calmly, in a position which realizes my most brilliant dreams of
old. This is another proof,” my philosophic friend said, in conclusion,
“that, however precarious may be the position in which a man finds
himself, he ought never to despair of luck turning.”
My story was not so long as Antonio’s, for with the exception of my
marriage, there was no event worthy narrating. I told him, however of my
long illness, and the work that had brought it on, and I had scarce
ended, when Madame Torrini entered the room. My friend’s wife received
me most kindly, saying:
“I have known you, sir, for a long time, as Antonio told me your
history, which caused me to feel the greatest interest, and my husband
and myself often regretted we could not hear of you. Now, however, M.
Robert,” she added, “that we have found you, consider yourself an old
friend of the family and come to see us often.”
I profited by this kind invitation, and more than once went to seek
consolation and encouragement from these worthy friends.
Antonio still took an interest in conjuring, although it was a mere
distraction by which he amused his friends.--Still, not a conjurer
announced his performance but he went to see him. One morning he entered
my workshop in great haste.
“Look here,” he said, offering me a paper, “as you run after all the
celebrated conjurers, here is one that will astonish you. Read.”
I took the paper eagerly, and read the following puff:
“The famous Bosco, who can conjure away a house as easily as a nutmeg,
is about to give his performances at Paris, in which some miraculous
tricks will be executed.”
“Well, what do you say to that?” Antonio asked me.
Public-domain text, read in full here on John Shaqi.
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