Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
You placed it by your side when you went to bed, and, at the hour
desired, a peal aroused the sleeper, while, at the same time, a ready
lighted candle came out from a small box. I was the prouder of this
invention and its success, as it was the first of my ideas which
produced me any profit.
This “alarum-light,” as I christened it, was so popular that, in order
to satisfy the great demand for it, I was obliged to add a workshop to
my rooms and hire several workmen. Encouraged by such a favorable
result, I turned my attention afresh to inventions, and gave a free
scope to my imagination. I succeeded in making several more toys, among
which was one which my readers will probably remember to have seen in
the shop-windows. It was a glass dial, mounted on a column of the same
material. This “mysterious clock” (as I called it), although entirely
transparent, indicated the hour with the greatest exactness, and struck,
without any apparent mechanism to make it move. I also constructed
several automata, such as a conjurer playing with cups, a dancer on the
tight-rope, singing birds, &c.
It may strike the reader that, with so many strings to my bow, and such
amusing toys to make, my situation would be considerably improved, but
it was not so. Each day, on the contrary, produced fresh trouble in my
trade as well as in my household, and I even saw a financial crisis
approaching which I found it impossible to prevent.
The cause of this result was very simple. While engaged with the
mechanical toys I have just mentioned, I still worked at my theatrical
automata, for which my passion had been again aroused by my present
labors. Like the gambler, who throws his last farthing on the board, I
invested all my earnings in my theatrical preparations, hoping these
would soon repay me for my sacrifices with a hundred per cent. profit.
But it was fated that I should no sooner see the realization of my
projects close at hand, than an unforseen event should remove it again
from my grasp. I had a sum of two thousand francs to pay at the end of
the month; I had not a penny to meet it, and I had only three days left
before the bill I had accepted became due.
Never did an embarrassment arrive more inopportunely! I had just formed
the plan of an automaton in which I placed the greatest hopes. It was a
“writing and drawing automaton,” answering in writing or emblematic
designs questions proposed by the spectators, and I intended to employ
this figure between the performances in my future theatre.
Once more was I obliged to check the flight of my imagination to absorb
myself in the vulgar and difficult problem of meeting a bill when you
have no money. I might, it is true, have saved myself all trouble by
applying to my friends, but prudence and delicacy rendered it my duty
to pay it from my own resources. Providence, doubtlessly, recognized
the merit of my resolution, for she sent me a saving idea.
Public-domain text, read in full here on John Shaqi.
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