Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
After what I had already seen I was prepared to admire a masterpiece,
but imagine my stupor on observing that the head belonged to a saint!
Quite astonished at this, I looked at my friend as if seeking an
explanation, but he did not seem to understand me and continued to point
out all the beauties of his work. I had no good reason to refuse it,
for, after its fashion, it was a very fine head, so I accepted it,
though it could be of no use to me. At any rate I wished to know the
motive that induced my sculptor to select such a type, and, by dint of
cross-examination, I learned that his special trade was carving saints,
and he could not emerge from his usual “groove.”
After this check I applied to another artist, being careful to inquire
of him previously whether he had been in the habit of carving heads of
saints. In spite of my precautions, I only got from this artist a head
bearing a strong family likeness to those Nuremberg dolls made to act as
lay figures in studios.
I had not the courage to make a third trial; yet, my writer required a
head, and I regarded my chefs-d’œuvre in turn. Neither could by
possibility suit me. A head with not the slightest expression spoiled my
automaton, while a holy Jerome on the body of a writer dressed in the
Louis XV. style would be a terrible anachronism.
“And yet the face I want is engraved here,” I said, striking my
forehead. “What a pity I cannot carve it--suppose I were to try!”
It has always been my character to set about a scheme as soon as I had
formed it, whatever the difficulties might be. Hence I took a piece of
modeling wax, made it into a ball, in which I formed three holes,
representing mouth and eyes, then sticking on a patch for a nose, I
stopped to admire my handiwork.
Have you ever noticed a toy belonging to earliest youth, representing
two blacksmiths at work on an anvil, which they are made to strike in
turn by pulling two parallel rods? Well, those mechanical combinations,
sold at one penny, I believe, are perfect marvels of art in comparison
with my first essay in modeling.
Dissatisfied, disgusted, and almost angry, I threw my clumsy attempt
aside, and thought of some other plan to escape my difficulty. But I
have already said I am obstinate and persevering in all I undertake, and
the greater the difficulty seems, the more I feel myself pledged to
surmount it. The night passed in dreams which showed me my task
satisfactorily accomplished, and the next morning I took heart, and went
at it again. In fact, by passing a chisel over my ball--by taking away
from one side and adding to the other--I succeeded in making eyes,
mouth, and nose, which, if not regular, had at least the appearance of a
human form.
Public-domain text, read in full here on John Shaqi.
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