Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
General
Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
The conjurer then proceeded to perform the trick; for this purpose he
suspended from a tripod an enormous copper caldron full of water, and
ordered the two lads to put in it dead pigeons, an assortment of
vegetables, and plenty of seasoning. Then he lit some spirits of wine
under the caldron, and pronounced some magical incantations. At his
voice, the pigeons, returning to life, flew out of the caldron; while
the water, vegetables, and seasoning had entirely disappeared.
Philippe usually ended the evening’s performance with the famous Chinese
trick, to which he had given the pompous name of “Neptune’s Basins, or
the Gold-Fish.”
The magician, clothed in his brilliant costume, mounted on a sort of low
table, which isolated him from the stage. After a few manœuvres to
prove he had nothing about him, he threw a shawl at his feet, and, on
lifting it up, he displayed a glass basin filled with water, in which
gold-fish swam about. This was thrice repeated, with the same result;
but, in his desire to improve on his brethren of the Celestial Empire,
the French conjurer had added a variation to their trick, which gave an
amusing termination to the performance. Throwing the shawl on the ground
for the fourth time, several animals, such as rabbits, ducks, chickens,
&c., emerged from it. This trick was performed, if not gracefully, at
least in a way to excite the lively admiration of the spectators.
Generally, Philippe was very amusing in his entertainment. His
experiments were performed with a good deal of conscientiousness, skill,
and dash, and I have no hesitation in saying that the conjurer of the
Bonne-Nouvelle Bazaar might then be considered one of the best of the
day. Philippe quitted Paris the following year, and has since performed
entirely in foreign countries, or the provinces.
Philippe’s success would not have failed to rekindle my desire to
realize my theatrical schemes, had not, at this period, a misfortune
hurled me into a state of profound wretchedness. I lost my wife.
Left with three young children, I was obliged to undertake their charge,
although so unskilled in household cares. Thus, at the end of five
years, robbed by some, deceived by others, I had almost lost all that my
labor had produced me, and was going to ruin.
Forced by my intolerable position, I determined on reconstituting my
home, and I married again. I shall have so many occasions of speaking
of my new wife, that I shall refrain at present from praising her
according to her deserts; besides, I am not sorry to abridge these
domestic details, which, though personally important to me, only possess
a very slight interest in my story.
Public-domain text, read in full here on John Shaqi.
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