Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
To jump into a carriage and drive to the Place de la Bourse was the
affair of an instant; still, twenty minutes had elapsed since the
curtain fell, and that was an enormous time. My son Emile and I
proceeded up the actors’ stairs at full speed, but on the first step, we
had heard the cries, whistling, and stamping of the impatient audience.
What a prospect! I knew that frequently, either right or wrong, the
public treated an artiste, no matter whom, very harshly, to remind him
of punctuality. That sovereign always appears to have on its lips the
words of another monarch: “I was obliged to wait.” However, we hurried
up the steps leading to the stage.
The stage-manager, who had been watching, on hearing our hurried steps,
cried from the landing:
“Is that you, M. Houdin?”
“Yes, sir--yes.”
“Raise the curtain!” the same voice shouted.
“Wait, wait, it is imp----“
My breath would not allow me to finish my objection; I fell on a chair,
unable to move.
“Come, M. Houdin,” the manager said, “_do_ go on the stage, the curtain
is up, and the public are so impatient.”
The door at the back of the stage was open, but I could not pass through
it, fatigue and emotion nailed me to the spot. Still, an idea occurred
to me, which saved me from the popular wrath.
“Go on to the stage, my boy,” I said to my son, “and prepare all that is
wanting for the second-sight trick.”
The public allowed themselves to be disarmed by this youth, whose face
inspired a sympathizing interest; and my son, after gravely bowing to
the audience, quietly made his slight preparations, that is to say, he
carried an ottoman to the front of the stage, and placed on a
neighboring table a slate, some chalk, a pack of cards, and a bandage.
This slight delay enabled me to recover my breath and calm my nerves,
and I advanced in my turn with an attempt to assume the stereotyped
smile, in which I signally failed, as I was so agitated. The audience at
first remained silent, then their faces gradually unwrinkled, and soon,
one or two claps having been ventured, they were carried away and peace
was made. I was well rewarded, however, for this terrible ordeal, as my
“second-sight” never gained a more brilliant triumph.
An incident greatly enlivened the termination of my performance.
A spectator, who had evidently come on purpose to embarrass us, had
tried in vain for some minutes to baffle my son’s clairvoyance, when
turning to me, he said, laying marked stress on his words:
“As your son is a soothsayer, of course he can guess the number of my
stall?”
The importunate spectator doubtlessly hoped to force us into a
confession of our impotence, for he covered his number and the adjacent
seats being occupied, it was apparently impossible to read the numbers.
But I was on my guard against all surprises, and my reply was ready.
Still, in order to profit as much as possible by the situation, I
feigned to draw back.
Public-domain text, read in full here on John Shaqi.
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