Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
General
Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
I had also learned the characters--though unable to translate a
word--of an infinity of languages, such as Chinese, Russian, Turkish,
Greek, Hebrew, &c. We knew, too, the names of all surgical instruments,
so that a surgical pocket-book, however complicated it might be, could
not embarrass us. Lastly, I had a very sufficient knowledge of
mineralogy, precious stones, antiquities, and curiosities; but I had at
my command every possible resource for acquiring these studies, as one
of my dearest and best friends, Aristide le Carpentier, a learned
antiquary, and uncle of the talented composer of the same name, had, and
still has, a cabinet of antique curiosities, which makes the keepers of
the imperial museums fierce with envy. My son and I spent many long days
in learning here names and dates, of which we afterwards made a learned
display. Le Carpentier taught me many things, and, among others, he
described various signs by which to recognise old coins when the die is
worn off. Thus, a Trajan, a Tiberius, or a Marcus Aurelius became as
familiar to me as a five-franc piece.
Owing to my old trade, I could open a watch with ease, and do it with
one hand, so as to be able to read the maker’s name without the public
suspecting it: then I shut up the watch again and the trick was ready;
my son managed the rest of the business.
But that power of memory which my son possessed in an eminent degree
certainly did us the greatest service. When we went to private houses,
he needed only a very rapid inspection, in order to know all the objects
in a room, as well as the various ornaments worn by the spectators, such
as châtelaines, pins, eye-glasses, fans, brooches, rings, bouquets, &c.
He thus could describe these objects with the greatest ease, when I
pointed them out to him by our secret communication. Here is an
instance:
One evening, at a house in the Chaussée d’Antin, and at the end of a
performance which had been as successful as it was loudly applauded, I
remembered that, while passing through the next room to the one we were
now in, I had begged my son to cast a glance at a library and remember
the titles of some of the books, as well as the order they were arranged
in. No one had noticed this rapid examination.
“To end the second sight experiment, sir,” I said to the master of the
house, “I will prove to you that my son can read through a wall. Will
you lend me a book?”
I was naturally conducted to the library in question, which I pretended
now to see for the first time, and I laid my finger on a book.
“Emile,” I said to my son, “What is the name of this work?”
“It is Buffon,” he replied, quickly.
“And the one by its side?” an incredulous spectator hastened to ask.
“On the right or left?” my son asked.
“On the right,” the speaker said, having a good reason for choosing this
book, for the lettering was very small.
Public-domain text, read in full here on John Shaqi.
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