Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
General
Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
The general, who at this moment held the _Gazette des Tribunaux_ in his
hand, and was doubtlessly amusing himself with some lugubrious drama,
was one of the last to notice the heightened temperature. Even he,
though, at length found it necessary to remove his silk cap, and put it
in his pocket, growling, “Confound it, how hot the room is!”
The trick was done.
The reader has already guessed that the clever sculptor was the cause of
this vapor-bath, which he induced the lady to produce by explaining to
her his important mission.
This result once obtained, Dantan hastily made his phrenological studies
on the venerable head of the old warrior; then, rising from the table,
he cast a final glance over his features, photographed him, so to speak,
in his mind, and ran off to set to work.
A short time after, the sculptor sent the general’s family the most
perfect bust possibly ever produced by his chisel.
Here I will close the parenthesis I commenced with reference to the
evils the smallness of my theatre entailed on me; and I will now begin
another about the pleasures my success procured me.
At the beginning of November, I received a “command” to St. Cloud, to
give a performance before Louis Philippe and his family. I accepted the
invitation with the greatest pleasure; for as I had never yet performed
before a crowned head, this was an important event for me.
I had six days before me to make my preparations, and I took all
possible pains, even arranging a trick for the occasion, from which I
had reason to expect an excellent result.
On the day fixed for my performance, a fourgon came at an early hour to
fetch me and my apparatus, and we were conveyed to the château. A
theatre had been put up in a large hall selected by the king for the
representation, and in order that I might not be disturbed in my
preparations, a guard was placed at one of the doors leading into the
corridor. I also noticed three other doors in this apartment; one,
composed of glass, opened on to the garden opposite a passage filled
with splendid orange-trees; the two others, to the right and left,
communicated with the apartments of the king and the Duchess of Orleans.
I was busy arranging my apparatus, when I heard one of the doors I have
just mentioned open quietly, and directly a voice made the following
inquiry in the most affable manner:
“Monsieur Robert-Houdin, may I be permitted to come in?”
I turned my head in the direction, and recognized the king, who, having
asked this question merely as a form of introduction, had not waited for
my reply to walk towards me.
I bowed respectfully.
“Have you all you require for your preparations?” the king asked me.
“Yes, sire; the steward of the château supplied me with skilled workmen,
who speedily put up this little stage.”
My tables, consoles and tabourets, as well as the various instruments
for my performance, symmetrically arranged on the stage, already
presented an elegant appearance.
Public-domain text, read in full here on John Shaqi.
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