Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
“Your highness,” I remarked, as I returned the case, “will allow me to
appeal against such a proposal, for you must have remarked that, until
now, I required to see the object before my son could name it.”
“Yet you have surmounted greater difficulties,” the amiable duchess
retorted. “However, if it is not possible, let us say no more about it,
for I should be grieved to cause you any embarrassment.”
“What your highness wishes is, I repeat, impossible; and yet my son,
feeling anxious to justify the confidence you place in his clairvoyance,
will attempt to see through the case, and describe its contents.
“Can he do so even through my hands?” the duchess continued, trying to
conceal the case.
“Yes, madam, and even if your highness were in the next room, my son
would be able to see it.”
The duchess, declining the new trial I proposed, satisfied herself by
questioning my son with her own lips.
The boy, who had long received his instructions, replied, without
hesitation, “There is in the case a diamond pin, the stone being
surrounded by a garter of sky-blue enamel.”
“That is perfectly correct,” the duchess said, as she showed the
ornament to the king. “Judge for yourself, sire;” then, turning to me,
she added, with infinite grace, “Monsieur Robert-Houdin, will you accept
this pin in remembrance of your visit to St. Cloud?”
I thanked her highness sincerely, as I assured her of my gratitude.
The performance was over: the curtain fell, and, in my turn, I was
enabled to enjoy a curious scene at my ease; it was to look through a
small hole at my audience, who had assembled in groups, and were talking
about the impression I had produced.
Before leaving the château, the king and queen again sent me the most
flattering messages by the person charged to hand me a souvenir of their
munificence.
This representation could not increase my reputation--that was not
possible--but it helped powerfully to maintain it. My performance at St.
Cloud, more especially, created a sensation among the aristocracy, who,
until that moment, had hesitated about visiting my small room. Their
curiosity overcame other considerations, and they came in their turn to
assure themselves of the reality of the marvels attributed to me.
The summer heats were, however, beginning to be felt: we had reached the
commencement of July, and I had to think about closing my theatre.
However, instead of running after fortune, as in the previous year, I
occupied myself with changing and improving my performance. The task was
heavy; for I was filled with bold emulation, as I could not conceal from
myself that my success imposed certain duties on me, and that, in order
to keep it up, I must be constantly deserving of it.
The most painful part of my inquiries was, that my inventions must be
completed by a certain day and hour, for the reopening of my theatre was
fixed for the first of the next September, and, for many reasons, I
determined on being punctual.
Public-domain text, read in full here on John Shaqi.
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