Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
General
Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
This position depended simply on the fact that my establishment, instead
of having the name of a theatre, was called a “spectacle.” Through this
slight difference of title I enjoyed rights infinitely more extended.
Thus, while the theatres could only have bills of a size arranged by a
police decree, I was at liberty, as the manager of a spectacle, to
announce my performances in unbounded proportions.
I could also lessen or increase the number of my performances at my
pleasure, which was not one of the slightest advantages of my
management.
Lastly, I had a right, whenever I thought proper, to put the key of my
room in my pocket, dismiss my staff, and walk about at my leisure in
expectation of better times.
All these advantages, to which I will add that of being burdened with
very slight expenses compared with my brethren, offered me no other
result than that of not losing my money. However I might try, the public
remained deaf to my appeal as to theirs.
I am mistaken though; for some days I received very polite letters from
the Provisional Government, in the shape of “free passes,” which begged
me to find room in my hall for the students of the Polytechnic and St.
Cyr schools, accompanied by their tutors.
I was enchanted, it is true, by this amiable act of politeness, which
augmented the number of my scanty spectators; for I performed, at
least, before a well-filled room, and I had no longer the annoyance of
seeing those unlucky benches empty--a sight which usually paralyzes the
most philosophic performers.
This illusion was, in truth, very ephemeral, for each evening, after the
performance, my cashier assumed a very gloomy face on approaching me.
What disenchantment! What bitter reprisals on the part of the blind
goddess who, for some time, had granted me such sweet favors!
Still, in these moments of distress, I may say with perfect sincerity
deceptions and torment were not confined to the profit and loss account;
and though a manager does not take money, he desires to conceal his
misery. In order to produce a deception, he tries to furnish his
theatre, and he gives free admissions. I had recourse to this measure;
but, what will appear strange, these tickets, which, a month earlier,
would have been regarded as an immense favor, were viewed with
considerable indifference, and it often happened that people did not
take the trouble to accept my invitation.
Public-domain text, read in full here on John Shaqi.
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