Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
The sight was truly magnificent; all the ladies, dazzling with youth and
beauty, covered with diamonds and flowers, and rivalling each other in
good taste and brilliancy, resembled a vast enameled prairie, on which
the richest flowers of spring were displayed, while the black coats of
the gentlemen who enframed this smiling picture, far from dulling it,
only heightened the effect.
On either side of the lawn, old oak-trees lent their refreshing shade to
this improvised theatre.
I felt a noble pride at that moment, when I thought I held, as it were
at my fingers’ ends, the witching eyes of duchesses, at times so
haughty, but now so gracious, and which seemed at every moment to gain
fresh brilliancy at the sight of the surprises I offered them.
In this unique performance the time passed so rapidly, that I was quite
astonished when I found myself performing my last trick.
Before leaving her seat, the Queen, although she had several times
evinced her satisfaction, sent me her compliments through an
aide-de-camp, who also expressed her Majesty’s desire to have a
performance at Buckingham Palace at a later date.
I had made every arrangement to start for town immediately my
performance was over, lest I might be delayed by the carriages waiting
at the park gates. An idea of the number of my audience can be formed,
when I say it took me more than a quarter of an hour to pass through the
carriages drawn up in double file along the road. The receipts of the
festival will supply a better proof: they amounted to 2500_l._!
The next day the royal arms appeared at the head of my bills, and below,
the following passage, as a species of baptismal certificate:
“_Robert-Houdin, who has had the honor of performing before her
most gracious Majesty the Queen, Prince Albert, the Royal Family,
and the Nobility of the United Kingdom,_” &c.
My fashion only become the greater at St. James’s.
We had now reached the middle of July, and no one but an Englishman can
understand the possibility of obtaining a theatrical success during the
dog-day heats. I must say, then, that among our brethren beyond the
Channel, where all our customs are inverted, the season for concerts is
from May to the end of August. In September the aristocracy retire to
their estates, where they remain the other six months of the year.
I followed the example of my audience: I quitted London at the beginning
of September, not like them to take rest, but, on the contrary, to
commence a life even more agitated than the one I was leaving. I went
to the Manchester Theatre, where Knowles, the manager, had made an
engagement with me for fifteen performances.
The theatre in this city is immense; like the vast _arenæ_ of ancient
Rome, it can hold an entire people. To give an idea of its size, I need
only say that twelve hundred spectators scarcely filled the pit.
Public-domain text, read in full here on John Shaqi.
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