Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
General
Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
At the end of a performance he gave at the Tuilleries, before Louis
XVIII., he invited his majesty to select a card from the pack. It may be
that chance led the king to draw his majesty of hearts; it may be,
though, that the conjurer’s address produced this result. During this
time, a servant placed on an isolated table a vase filled with flowers.
Comte next took a pistol loaded with powder, in which he inserted the
king of hearts as a wad; then, turning to his august spectator, he
begged him to fix his eye on the vase, as the card would appear just
over it. The pistol was fired, and the bust of Louis XVIII. appeared
among the flowers.
The King, not knowing how to explain this unexpected result, asked
Comte the meaning of this strange apparition, adding, in a slightly
sarcastic tone,
“I fancy, sir, that your trick has not ended as you stated.”
“I beg your majesty’s pardon,” Comte replied, assuming the manner of a
courtier; “I have quite kept my promise. I pledged myself that the king
of hearts should appear on that vase, and I appeal to all Frenchmen
whether that bust does not represent the King of all hearts?”
It may be easily supposed that this trick was heartily applauded by the
audience. In fact, the _Royal Journal_ of the 20th December, 1814, thus
describes the end of the performance:
“The whole audience exclaimed, in reply M. Comte, ‘We recognise him--it
is he--the king of all hearts! the beloved of the French--of the whole
universe--Louis XVIII., the august grandson of Henri Quatre!’
“The King, much affected by these warm acclamations, complimented M.
Comte on his skill.
“‘It would be a pity,’ he said to him, ‘to order such a talented
sorcerer to be burnt alive. You have caused us too much pleasure for us
to cause you pain. Live many years for yourself, in the first place, and
then for us.’”
But though Comte was so amiable to the ladies, he was pitiless to
gentlemen. It would be a long story were I to describe all the spiteful
allusions and mystifications to which his masculine spectators were
exposed. For instance, there was his ace of heart’s trick, which he
ended by producing aces from every part of his victim’s body, who knew
not what saint to implore in order to stop this avalanche of cards.
Then, again, there was the ball-headed gentleman who had politely lent
his hat, and received a volley of compliments of the following nature:
“This article must belong to you,” said Comte, drawing a wig from the
hat. “Aha, sir! it appears you are a family man. Here are socks--then a
bib--a chemise--a charming little frock,” and as the public laughed
heartily, “on my faith, a goody-two-shoes!” he added producing a pair of
shoes. “Nothing is wanting for the dress--not even the stays and their
laces. I suppose, sir, you thought you could stay my tongue when you
placed that article in your hat.”
Public-domain text, read in full here on John Shaqi.
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