Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
For a time, I contented myself with admiring and believing in the great
master’s work, but, in 1844, Vaucanson’s duck was exhibited in a room at
the Palais Royal.[B] Of course I was one of the first to visit it, and
was much struck by its skillful and learned formation. Some time after,
one of the wings having been injured, the duck was sent to me to repair,
and I was initiated into the famous mystery of digestion. To my great
surprise, I found that the illustrious master had not disdained to have
recourse to a trick which a conjurer would have been proud of. The
digestion, so pompously announced in the memoir, was only a
mystification--a real _canard_, in fact. Decidedly, Vaucanson was not
only my master in mechanism, but I must bow before his genius for
juggling.
The trick was as simple as it was interesting. A vase, containing seed
steeped in water, was placed before the bird. The motion of the bill in
dabbling crushed the food, and facilitated its introduction into a pipe
placed beneath the lower bill. The water and seed thus swallowed fell
into a box placed under the bird’s stomach, which was emptied every
three or four days. The other part of the operation was thus effected:
Bread-crumb, colored green, was expelled by a forcing pump, and
carefully caught on a silver salver as the result of artificial
digestion. This was handed round to be admired, while the ingenious
trickster laughed in his sleeve at the credulity of the public. But,
before leaving this subject, I must give a short biographical notice of
this illustrious man.
Jacques de Vaucanson was born at Grenôble on the 24th February, 1709, of
a noble family, and his taste for mechanism was developed at an early
age. In 1730, the flute-player at the Tuilleries suggested to him the
idea of constructing on this model an automaton which should really play
the flute, and he spent four years in perfecting it. The story runs that
Vaucanson’s valet was the only person acquainted with his secret, and at
the first notes produced by the flute-player, the faithful servant fell
at his master’s feet, as if he were more than mortal, and they embraced
with tears of joy.
The duck and tambourine-player soon followed, and were chiefly intended
to speculate on public curiosity. Though noble by birth, Vaucanson
exhibited his automata at the fair of Saint Germain and at Paris, where
his receipts were enormous. He is also said to have invented a loom on
which a donkey worked cloth; this he made in revenge upon the
silk-weavers of Lyons, who had stoned him because he attempted to
simplify the ordinary loom. We also owe to Vaucanson a chain that still
bears his name, and a machine to make meshes of equal size.
Public-domain text, read in full here on John Shaqi.
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