[Footnote 56: The merit of another, and apparently an original
conjecture, belongs to Sismondi, who makes him the adulterous son of
Bernardino, by one of Guidantonio's wives. For this there is no
authority whatever; indeed, this historian, by confounding Guidantonio
with his son, and omitting Oddantonio entirely, has utterly confused
the family and history of Urbino. We have formerly set down Aura as
daughter of Guidantonio, on authority of a licence from Nicholas V.
for Federigo, his wife, and his sister Aura, to choose a confessor,
quoted by Gallo Galli, and also in the MS. of Muzio (Vat. Urb. MSS.,
No. 1011), which is much fuller than the printed edition. Thus also
Giovanni Sanzi, father of the painter Raffaele, in his rhyming
chronicle of Federigo's life, which we shall frequently have to quote
(Vat. Ottobon. MSS., No. 1305), and shall examine in our twenty-fifth
chapter, says of him,--
"But others call this admirable flower
Grandson of Guidantonio, being child
Of that count's daughter, whose exalted name
Is dear to virtue, Bernardino's wife
Of th' Ubaldini."]
It is very remarkable that the filiation of Federigo to the Ubaldini
is adopted by a majority of those writers who lived under him and his
son, giving colour to a conjecture that it may have been encouraged at
their court as masking the flaw in their pedigree. This, however, is
but an unsatisfactory explanation. His character and brilliant
distinctions could well dispense with the honours of birth; and in
this century, bastardy, so far from inferring a blot on the princely
escutcheons of Italy, or presenting a bar to sovereignty, seemed, as
in the dynasties of Este and Scala, as well as in the Malatesta,
already referred to, to constitute a preference. But in order to
explain his special affection for the Ubaldini, it has been supposed
that his mother was of that stock, and that he was at first brought up
by them, in deference to the jealousy of Countess Rengarda. This
motive soon ceased by her death, when the infant was received and
cherished in his father's palace.
* * * * *
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