Hence, were the
independence of the best English writers of a century or two ago to
be estimated from their dedicatory addresses, or their occasional
odes, a condemnation as unreasonable as sweeping would go forth
against names long inscribed in our temple of fame. This argument
might easily be extended; but enough has been said to show that
more was done for the support of letters under princely than under
popular institutions, and that the adulatory epithets natural to the
language, and inherent in the usages of Italy, are no certain index
of base subserviency.
But, on the other hand, independent sovereignty, irrespective of
political forms, was of primary importance to the encouragement
of mental cultivation. The separation of Italy into a multitude
of petty states converted almost every town into a capital, which
its rulers and its citizens took equal pride in decorating. The
patriotism thus generated was intense in proportion to the narrow
field on which it was exercised, and an expenditure, restrained by
severe sumptuary restrictions, found scope on monuments honourable
to the public. Thus there ensued, between hostile communities and
emulous factions, a rivalry in arts as in arms, whereby public
institutions prospered, and individual genius was encouraged. Fanes,
whose glories seem to defy the waste of time, were thus raised for
the devotional requirements of the people; palaces grew up the
bulwark of their liberties; citadels were fortified to rivet their
chains; and even when the ultimate results were fatal to freedom,
the talent and activity thus stimulated were sure to eventuate in
industrial progress, as well as in the restoration of letters and the
improvement of art.
* * * * *
Public-domain text, read in full here on John Shaqi.
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