About seven in the evening, the guests were summoned by trumpet to
the windows and balconies to witness a triumphal representation of
the glories of Duke Federigo, whose name had that day been revived
in the infant Prince. The space in front of the palace was fitted
up as a vast stage laid out with woodland scenery, in the midst
whereof rose a mountain, emblematic of the Apennines. Near its
summit a cavern exhibited antique trophies and elephants, among
which was a broken bust of Asdrubal, allusive to the defeat of the
Carthaginian army near the Furlo pass. The whole was overshadowed by
two vast oaks personifying the Duke and Duchess, under which were
grouped shepherds playing on their national instruments. Across this
mimic representation of the duchy of Urbino a gorgeous procession
passed with military music, in the following order. The car of
Fame advanced, glittering with the precious metals, and drawn by
winged horses. On its front, amid garlands of flowers, was perched
a black eagle crowned, the monarch of birds, and heraldic bearing
of Montefeltro; and it contained figures of Fame, Time, and Truth.
Fame stood winged upon a globe, to which were yoked two dolphins; her
robe of gold and silver tissue was _semé_ with countless eyes, ears,
and mouths, and in her hand she held a golden trumpet. Before her
sat old Time, with his hour-glass; behind, Truth chanted stanzas in
compliment to the hero of two mottoes which were displayed over the
car:--
"TO THESE AND EARTH'S MOST DISTANT LANDS ARE SHOWN
OUR FREDERICK'S GLORIOUS DEEDS, HIS HONOUR AND RENOWN."
"BY MARTIAL VALOUR WERE HIS TITLES WON."
In the procession which followed, were borne the armorial insignia
of Duke Federigo, and of the sovereigns in close alliance with him;
his various decorations of knighthood, the golden rose, the sword and
baton of the Church, and similar badges of his dignities. Then came
another car, drawn by four horses, and magnificently ornamented with
cornucopias of public prosperity, intermingled with devices used by
the various Dukes, amid which sat Justice, Bravery, and Prudence.
Next marched by, an imposing military pageant, with the banners and
ensigns of those states and cities over which Federigo had been
victorious, and with the batons of command entrusted to him by the
different powers whom he had served. To these succeeded a third car,
still more magnificently decked out, which was dedicated to martial
glory, and bore a figure of Pallas copied from the antique; it was
laden with pictures and mottoes, allusive to his principal triumphs;
and over a mass of books was the legend,--
"MINERVA'S LIBERAL ARTS HIS VICTORIES DID CROWN."
Public-domain text, read in full here on John Shaqi.
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