he had reached Ravenna, when an invitation arrived from Guidobaldo
II., Duke of Urbino, a cousin of his late patron, whose court offered
to genius just such a haven as he had hoped for. In October, 1556,
he reached Pesaro, where the Duke assigned as a residence for the
poet his casino called the Barchetto, a house which still stands
within the walls of Pesaro, surrounded by a smiling garden. Its
very limited accommodation, now used by the gardener, cannot have
afforded a commodious dwelling, but such as it was, it appears to
have satisfied Bernardo, who after a few weeks was encouraged by the
Duke's courtesy to send for his son, with a view to establishing
himself in that capital. His residence there somewhat exceeded two
years, during which we gather from his correspondence few incidents
beyond his literary occupations. Though avowing himself in the
service of Guidobaldo, he does not seem to have had from him either
employment or a fixed maintenance, but was probably supported by his
hospitality. He now put the finishing touches to his _Amadigi_, begun
fourteen years before, and repaid the favours bestowed upon him with
the usual homage of a courtly poet. Anxiously clinging to the hope
of making his peace with Spain, in order to recover his own and his
wife's property which had been confiscated at Naples, he obtained
the mediation of several courts in his favour, and even had recourse
to the good offices of Cardinal Pole with Philip II., then husband
of the English Queen Mary. In this object Guidobaldo particularly
interested himself, and it was at his suggestion that Bernardo
dedicated his poem to that monarch, whose praises, with those of
his consort, had been already sung in its eleventh canto. But his
pearls were lavished unavailingly on one incapable of appreciating
either the gift or the donor, and a long apologetic letter from
Girolamo Ruscelli, which accompanied the peace-offering, remained
unacknowledged.
Public-domain text, read in full here on John Shaqi.
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