Such compliments from a poet of promising fame could not be
indifferent to one taught to prize genius as almost the equal of
rank; nor were they the less acceptable to a lady of thirty-one,
that their author had barely attained manhood. She received him with
her sweetest smile, and presented him to her father the Duke, and
to her sister Leonora, in terms which secured him a most flattering
reception. Love and chivalry were fashions of the day, cultivated
in common by all who strove to shine in the brilliant atmosphere
of Ferrara, and the genius of Torquato lent itself gracefully to
both. In many phases of Italian literature, it has been difficult
for posterity to decide whether the fervour of amorous poetry was
kindled by successful passion, or fanned by affected sentiment. The
like mystery overhangs the love-notes which Tasso warbled in these
palace-bowers. That his aspirations were not free from pedantry is
proved by their, on one occasion, selecting the form of a public
disputation, after the most approved scholastic models, wherein,
during three days, he maintained against all comers, a series of
abstract propositions regarding love and its developments. And though
such singular exhibitions may sometimes have been suggested by
deeper feelings, or accepted as the incense of the heart, they were
doubtless in other cases but tournaments of gallantry, in which the
name of some fair lady was adopted, to inspire the combatants to a
victory extending not beyond the lists. Equally platonic might have
been such love-tissued lyrics as our minstrel ever and anon dedicated
to the sister Princesses, without any scandal, and probably without
compromise of their purity. One of these, in supposed allusion to the
favoured sister, having been specially excepted from the sentence of
posthumous destruction pronounced upon many of his fugitive pieces by
the poet when about to take a journey, must have ranked high in his
estimation, and is thus translated by Glassford:--
"Now that my charmer breathes another air
In woods and fields, how barbarous to remain
In this deserted place, where grief, and pain,
And darkness dwell, a region of despair!
Nothing is joyful here, and nothing fair:
Love grows a boor, and with the rustic train
Now feeds his flock, and now in sultry plain
Handles the scythe, or guides the pondrous share.
O, happy wood! O smiling banks and gay,
Where every beast, and every plant and stone,
Have learned the use of generous customs mild.
What shall not yield to her whose eyes alone
Can, as they lend or take their light away,
Polish the groves, and make the town a wild."
Public-domain text, read in full here on John Shaqi.
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