Lord George Murray, advancing with the Atholl men, who had kept the line
in perfect order, pursued the retreating army towards Falkirk. He had
arrived at the foot of the hill just as the English troops entered the
town, which was at the distance of a musket-shot from the place where he
stood. It was then proposed by most of the officers to retire towards
Dunnipace, in order to shelter the men from the incessant rain; but Lord
George opposed this proposition. He had observed the disorder of the
English: "Let them not have time," he remarked, "to rally, and to line
the houses, and clean their guns, so as to defend the town of Falkirk;
there is not a moment to be lost." He concluded with the expression of
Count Mercy at the battle of Parma--"I will either lie in the town, or
in Paradise."
Prince Charles coming up at the instant, approved of the resolution. A
singular difficulty now occurred; there were no bag-pipes to inspirit
the men with a warlike air; the pipers, as soon as a battle began, were
in the practice of giving their pipes into the keeping of boys, who had
to take care of themselves, and often disappeared with the instruments.
"The pipers, who," as Lord George remarks, "were commonly as good men as
any," then charged with the rest. This circumstance, which might appear
trifling, was in fact the cause why the Macdonalds and other Clans had
not rallied from the first.[163] Such was the importance of the
national music at this critical moment. In ancient days the bards shared
the office of encouragement to the Clans. It was their part to stimulate
valour, and, before the battle began they passed from tribe to tribe,
giving exhortations, and expatiating on the dishonour of retreat. They
familiarized the people with a notion of death, and took from it, in one
sense, its sting. When their voices could no longer be heard, they were
succeeded by the pipes, whose wailing and powerful strains kept alive
the enthusiasm which languished when those notes ceased to be
heard.[164]
Public-domain text, read in full here on John Shaqi.
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